Literary Criticism of Seventeenth-century EnglandEdward W. Tayler Knopf, 1967 - 427 pagina's |
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Pagina 63
... present laws and customs , even if they may be worse . " ] 7 [ Ancient Celtic stringed instrument , hence " fiddle . " ] 8 [ " Where the state is at present , there we must be , rather than be in no state as we follow the old ways ...
... present laws and customs , even if they may be worse . " ] 7 [ Ancient Celtic stringed instrument , hence " fiddle . " ] 8 [ " Where the state is at present , there we must be , rather than be in no state as we follow the old ways ...
Pagina 144
... present or absent , nothing concernes the whole , it cannot be call'd a part of the whole and such are the Episodes , of which hereafter . For the present , here is one example ; The single Combat of Ajax with Hector , as it is at large ...
... present or absent , nothing concernes the whole , it cannot be call'd a part of the whole and such are the Episodes , of which hereafter . For the present , here is one example ; The single Combat of Ajax with Hector , as it is at large ...
Pagina 331
... present purpose . " The pieces reprinted here provide clear testimony of Dryden's mixed attitude toward the principles of neoclassicism : his respect for The Rules and his dismay at their rigid application . “ The Authors Apology for ...
... present purpose . " The pieces reprinted here provide clear testimony of Dryden's mixed attitude toward the principles of neoclassicism : his respect for The Rules and his dismay at their rigid application . “ The Authors Apology for ...
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admirable Aeneid affected alwayes ancient Aristotle Author better body Book call'd Cicero conceit delight discourse divine Donne doth Dryden eare eloquence English Epigrams Euripides excellent expression Fable fame Fancy farre fitnesse Francis Bacon generall Gods Gondibert grace Greeke hath Homer honour Horace Iliads imitate invention Jonson Joshua Sylvester judgement kind knowledge labour language Latin learned lesse lines literary criticism manner matter meane meere Metaphysical Poetry mind Muse naturall Nature neoclassical never noble Orpheus Ovid perfect Petrarch Philosophers Plato Plautus Poem Poesie poetic Poetry Poets praise prose Quintilian Reader reason Renaissance Rime Ryme Samuel Daniel sayes selfe Seneca sense severall shew Sophocles soule speake spirit stile style thee thereof things thinke thou thought tion tongue Tragedy translation true Truth verse vertue Virgil vulgar wayes wherein wisdome wise words writ write Zoroaster