Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 pagina's The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Pagina 14
... Professor Battenhouse turns Shakespeare into a rather puritanical moralist , which to believe of him , as the King of France says of Cordelia Must be a faith that reason without miracle Should never plant in me . Professor G. R. Elliott ...
... Professor Battenhouse turns Shakespeare into a rather puritanical moralist , which to believe of him , as the King of France says of Cordelia Must be a faith that reason without miracle Should never plant in me . Professor G. R. Elliott ...
Pagina 57
... Professor L. C. Knights is another critic who has a low opinion of Hamlet's character . 10 We were told that ' the desire to escape from the complexities of adult living is central ' to his character , and that ' his attitudes of hatred ...
... Professor L. C. Knights is another critic who has a low opinion of Hamlet's character . 10 We were told that ' the desire to escape from the complexities of adult living is central ' to his character , and that ' his attitudes of hatred ...
Pagina 58
... Professor Prosser is surely mis- taken for the Ghost laments that he was sent to his account , Unhous❜led , disappointed , unanel'd , and confesses that he ... Professor Prosser and to Professor Knights is 58 Shakespeare's Tragic Sequence.
... Professor Prosser is surely mis- taken for the Ghost laments that he was sent to his account , Unhous❜led , disappointed , unanel'd , and confesses that he ... Professor Prosser and to Professor Knights is 58 Shakespeare's Tragic Sequence.
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action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words