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Thefe, 'tis enough to temper and employ;
But what compofes Man, can Man destroy?
Suffice that Reason keep to Nature's road,
Subject, compound them, follow her and God.
Love, Hope, and Joy, fair Pleasure's fmiling train,
Hate, Fear, and Grief, the family of Pain,
These mix'd with art, and to due bounds confin'd,
Make and maintain the balance of the Mind:
The lights and fhades, whofe well-accorded ftrife
Gives all the strength and colour of our life.
Pleasures are ever in our hands or eyes;

115

120

And when, in act, they cease, in prospect, rise:
Present to grafp, and future ftill to find,

125

The whole employ of body and of mind.

All

VARIATIONS.

After ver. 112. in the MS.

The foft reward the virtuous, or invite;
The fierce, the vicious punish or affright.

COMMENTARY.

VER. 123. Pleafures are ever in our bands or eyes;] His third argument against the Stoics (from ver. 122 to 127.) is, that the Paffions are a continual fpur to the pursuit of Happiness; which, without these powerful inciters, we should neglect, and fink into a fenfeless indolence. Now Happinefs is the end of our creation ; and this excitement, the means to that end: therefore, these movers, the Paffions, are the inftruments of God, which he hath put into the hands of Reason to work withal. WARBURTON.

NOTES.

VER. 117. Love, Hope, and Joy,] This beautiful groupe of allegorical perfonages, fo ftrongly contrafted, how does it act? The profopopeia is unfortunately dropped, and the metaphor changed immediately in the fucceeding lines, viz.

"Thefe mix'd with art," &c.

WARTON.

All spread their charms, but charm not all alike;
On diff'rent fenfes diff'rent objects ftrike;

COMMENTARY.

Hence

VER. 127. All spread their charms, &c.] The Poet now proceeds in his subject; and this last observation leads him naturally to the difcuffion of his next principle. He fhews then, that though all the Paffions have their turn in fwaying the determinations of the mind, yet every Man hath one MASTER PASSION, that at length flifles or absorbs all the reft. The fact he illustrates at large in his epiftle to Lord Cobham. Here (from ver. 126 to 149.) he giveth us the CAUSE of it. Those Pleasures or Goods, which are the objects of the Paffions, affect the mind by ftriking on the fenses; but as, through the formation of the organs of our frame, every man hath fome one fenfe ftronger and more acute than others, the object which ftrikes the stronger or acuter sense, whatever it be, will be the object most defired; and confequently, the pursuit of that will be the ruling Paffion: That the difference of force in this ruling Paffion, fhall, at firft, perhaps, be very small, or even imperceptible; but Nature, Habit, Imagination, Wit, nay even Reason itself, shall affift its growth, till it hath at length drawn and converted every other into itself. All which is delivered in a ftrain of Poetry so wonderfully fublime, as fufpends, for a while, the ruling Paffion in every Reader, and engroffes his whole admi

ration.

This naturally leads the Poet to lament the weakness and infufficiency of human Reafon (from ver. 148 to 161.); and the purpose he had in fo doing, was plainly to intimate THE NECESSITY OF A WARBURTON.

MORE PERFECT DISPENSATION TO MANKIND.

NOTES.

VER. 128. On diff'rent fenfes] A didactic poet has thus nobly illuftrated this very doctrine:

"Diff'rent minds

Incline to diff'rent objects: one pursues
The vaft alone, the wonderful, the wild;
Another fighs for harmony, and grace,

And gentlest beauty. Hence, when lightning fires
The arch of heaven, and thunders rock the ground;
When furious whirlwinds rend the howling air,

And

Hence diff'rent Paffions more or lefs inflame,
As strong or weak, the organs of the frame;
And hence one MASTER PASSION in the breast,
Like Aaron's ferpent, fwallows up the rest.

As Man, perhaps, the moment of his breath,
Receives the lurking principle of death;

The young disease, that must fubdue at length,

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135

Grows with his growth, and ftrengthens with his strength :

So, caft and mingl'd with his very frame,

The Mind's disease, its RULING PASSION, came;
Each vital humour which fhould feed the whole,
Soon flows to this, in body and in foul :

NOTES.

And Ocean, groaning from the lowest bed,
Heaves his tempeftuous billows to the sky;
Amid the mighty uproar, while below
The nations tremble, Shakespear looks abroad
From fome high cliff, fuperior, and enjoys
The elemental war. But Waller longs

140

Whatever

All on the margin of fome flow'ry ftream,
To fpread his careless limbs, amid the cool
Of plantane fhades.".

AKENSIDE.

WARTON.

VER. 129. Hence diff'rent Paffions] It may be doubted, as Johnfon juftly obferves, whether there be any foundation in Nature for this great paramount principle of action, and whether Pope does not confound "Paffions, Appetites, and Habits,” in his theory.

VER. 133. As Man, perhaps, &c.]" Antipater Sidonius Poeta omnibus annis uno die natali tantum corripiebatur febre, et eo confumptus eft fatis longa fenecta." Plin. 1. vii. N. H. This Antipater was in the times of Craffus, and is celebrated for the quicknefs of his parts by Cicero. WARBURTON,

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Whatever warms the heart, or fills the head,
As the mind opens, and its functions spread,
Imagination plies her dang'rous art,
And pours it all upon the peccant part.

Nature its mother, Habit is its nurse;
Wit, Spirit, Faculties, but make it worse;
Reafon itself but gives it edge and pow'r;
As Heav'n's bleft beam turns vinegar more four.
We, wretched fubjects, tho' to lawful fway,
In this weak queen, fome fav'rite still obey:

NOTES.

145

150

Ah!

VER. 147. Reafon itself, &c.] The Poet, in fome other of his epiitles, gives examples of the doctrines and precepts here delivered. Thus, in that of the Ufe of Riches, he has illuftrated this truth in the character of Cotta:

"Old Cotta fham'd his fortune and his birth,

'Yet was not Cotta void of wit or worth.

What though (the ufe of barb'rous fpits forgot)
His kitchen vy'd in coolness with his grot?
If Cotta liv'd on pulse, it was no more
Than bramins, faints, and fages did before."

WARBURTON.

VER. 148. turns vinegar] Taken from Bacon, De Calore; and the preceding verfe, and comparison, 132.

“Like Aaron's serpent,”.

is from Bacon likewise.

WARTON.

VER. 148. turns vinegar] This comparison, which might be very proper in Philofophy, has a mean effect in Poetry.

VER. 149. We, wretched fubje&s, &c.] St. Paul himself did not choose to employ other arguments, when difpofed to give us the highest idea of the usefulness of CHRISTIANITY (Rom. vii.). But it may be, the Poet finds a remedy in NATURAL RELIGION. Far from it. He here leaves Reafon unrelieved. What is this then, but an intimation that we ought to feek for a cure in that Religion, which only dares profefs to give it? WARBURTON.

Ah! if the lend not arms, as well as rules,

What can fhe more than tell us we are fools?
Teach us to mourn our Nature, not to mend,
A fharp accufer, but a helpless friend!
Or from a judge turn pleader, to perfuade
The choice we make, or justify it made;

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Proud of an eafy conqueft all along,

She but removes weak Paffions for the strong:

So, when small humours gather to a gout,

160

The doctor fancies he has driv'n them out.
Yes, Nature's road muft ever be preferr'd;
Reason is here no guide, but still a guard:
'Tis her's to rectify, not overthrow,

And treat this paffion more as friend than foe:
A mightier Pow'r the strong direction fends,
And fev'ral Men impels to fev'ral ends:
Like varying winds, by other paffions toft,
This drives them conftant to a certain coaft.

COMMENTARY.

165

Let

VER. 161. Yes, Nature's road, &c.] Now as it appears from the account here given of the ruling Paffion and its cause (which results from the structure of the organs), that it is the road of Nature, the Poet fhews (from ver. 160 to 197.), that this road is to be followed. So that the office of Reafon is not to direct us what paffion to exercise, but to affist us in RECTIFYING, and keeping within due bounds, that which Nature hath so strongly impreffed; because

"A mightier Power the ftrong direction sends,

And fev'ral Men impels to fev'ral ends." WARBURTON. VER. 167. Like varying winds, &c.] The Poet having proved that the ruling paffion (fince Nature hath given it us) is not to be overthrown,

NOTES.

VER. 160. The doctor fancies, &c.] The fame may be faid of this

as of the line 148.

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