Studies in Philology, Volume 80University of North Carolina Press, 1983 - 133 pagina's |
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Pagina 3
and poetic epithets for Machaut . In the first stanza he calls Machaut " flower of flowers of all melody " and " earthly god of harmony " be- fore clinching his praise with the title " rhetorician , " and in the second stanza he calls ...
and poetic epithets for Machaut . In the first stanza he calls Machaut " flower of flowers of all melody " and " earthly god of harmony " be- fore clinching his praise with the title " rhetorician , " and in the second stanza he calls ...
Pagina 190
... stanza ( " O behold me right " ) , or vanishes , as in the theological formality of stanza seven . In the last structural section , the speaker's pleas intensify when he injects self by means of a personal pronoun into three of the last ...
... stanza ( " O behold me right " ) , or vanishes , as in the theological formality of stanza seven . In the last structural section , the speaker's pleas intensify when he injects self by means of a personal pronoun into three of the last ...
Pagina 197
... stanzas joined with one six - line stanza . Likewise , when we return to the first poem , " The Sinners Sacrifice , " we note that the largest units of the poem illustrate the diapason , too , since the twelve stanzaic units consist of ...
... stanzas joined with one six - line stanza . Likewise , when we return to the first poem , " The Sinners Sacrifice , " we note that the largest units of the poem illustrate the diapason , too , since the twelve stanzaic units consist of ...
Inhoudsopgave
DAVID F BRIGHT and BARBARA C BOWEN | 14 |
MARY ANN CINCOTTA | 25 |
SHAMI | 53 |
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