Studies in Philology, Volume 80University of North Carolina Press, 1983 - 133 pagina's |
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Pagina 87
... Antony with flattery ( kolakeia ) —the deception which , according to both Plato and Plutarch , nurtures and releases the least rational part of the soul.9 Repeatedly , Plutarch de- scribes Cleopatra's flattering corruption of Antony's ...
... Antony with flattery ( kolakeia ) —the deception which , according to both Plato and Plutarch , nurtures and releases the least rational part of the soul.9 Repeatedly , Plutarch de- scribes Cleopatra's flattering corruption of Antony's ...
Pagina 92
... Antony ( II.47–77 ) , where — like Alexas later ( II.154-87 ) —she actually plays the role of Cleopatra , rehearsing all her mistress's " sighs and tears " ( 59 ) ; Antony's unsuccessful attempt to preordain the pattern of his first ...
... Antony ( II.47–77 ) , where — like Alexas later ( II.154-87 ) —she actually plays the role of Cleopatra , rehearsing all her mistress's " sighs and tears " ( 59 ) ; Antony's unsuccessful attempt to preordain the pattern of his first ...
Pagina 93
... Antony and finding that he can act neither . By the end of his act theatre and life are hopelessly confounded : faced with Octavia , Antony cannot feign a Roman part by forcing " a smile at Cleopatra's falshood " ( IV.438 ) ; but ...
... Antony and finding that he can act neither . By the end of his act theatre and life are hopelessly confounded : faced with Octavia , Antony cannot feign a Roman part by forcing " a smile at Cleopatra's falshood " ( IV.438 ) ; but ...
Inhoudsopgave
DAVID F BRIGHT and BARBARA C BOWEN | 14 |
MARY ANN CINCOTTA | 25 |
SHAMI | 53 |
Copyright | |
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