The New Moulton's Library of Literary Criticism, Volume 2Harold Bloom Chelsea House Publishers, 1985 - 650 pagina's Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
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Pagina 614
Harold Bloom. moulding every thing to itself ; it is passion modified by passion , by all the other feelings to which the individual is liable , and to which others are liable with him ; subject to all the fluctuations of caprice and ...
Harold Bloom. moulding every thing to itself ; it is passion modified by passion , by all the other feelings to which the individual is liable , and to which others are liable with him ; subject to all the fluctuations of caprice and ...
Pagina 866
... passion , in the audience , than any other drama . If Macbeth is the most perfect in the tragic action of the story , the most perfect in tragic passion is Othello . There is nothing to determine unhappiness to the lives of the two prin ...
... passion , in the audience , than any other drama . If Macbeth is the most perfect in the tragic action of the story , the most perfect in tragic passion is Othello . There is nothing to determine unhappiness to the lives of the two prin ...
Pagina 939
... passion in Othello is exceedingly different from that of Macbeth . In Macbeth there is a violent struggle between opposite feelings , between ambition and the stings of conscience , almost from first to last : in Othello , the doubtful ...
... passion in Othello is exceedingly different from that of Macbeth . In Macbeth there is a violent struggle between opposite feelings , between ambition and the stings of conscience , almost from first to last : in Othello , the doubtful ...
Inhoudsopgave
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
Copyright | |
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action actor admiration Æschylus appears Bacon beauty Ben Jonson Brutus Cæsar called character comedy Comedy of Errors comic Coriolanus critics death drama dramatist dream Duke effect English expression eyes Falstaff fancy feel genius give Hamlet hand hath heart Henry human imagination Johnson Juliet Julius Cæsar King language Lear learned less living Lord Love's Labour's Lost lovers Macbeth matter means Measure for Measure Midsummer Night's Dream mind moral nature never night noble Othello passages passion perhaps persons philosophy piece Plautus play poem poet poetic poetry Prince reader reason Richard Richard II Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sonnets soul speak speare speare's speech spirit stage story Stratford style sweet thing thou thought tion tragedy true truth Twelfth Night verse whole William Shakespeare words write youth