Studies in Philology, Volume 39University of North Carolina Press, 1942 |
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Pagina 140
... original . 66 99 The first tercet is a complete rendering of the original . In the last tercet Rilke follows at first the original too closely ; ohne is in the German context far more difficult than in the Italian . But the haunting two ...
... original . 66 99 The first tercet is a complete rendering of the original . In the last tercet Rilke follows at first the original too closely ; ohne is in the German context far more difficult than in the Italian . But the haunting two ...
Pagina 141
... originals.35 4. The third element is that Rilke renounces the tendency of surpassing the original in poetic intensity . It was by this tendency that he gave German equivalents to the English and French sonnets . It is through the ...
... originals.35 4. The third element is that Rilke renounces the tendency of surpassing the original in poetic intensity . It was by this tendency that he gave German equivalents to the English and French sonnets . It is through the ...
Pagina 171
... original version ( First Eclogues , 62-67 ) , also shows his improved understanding of the proper way to handle a subplot . Recognizing that it was merely an isolated and fragmentary thread as related by Histor in the eclogues of the ...
... original version ( First Eclogues , 62-67 ) , also shows his improved understanding of the proper way to handle a subplot . Recognizing that it was merely an isolated and fragmentary thread as related by Histor in the eclogues of the ...
Inhoudsopgave
Hall Robert A Jr The Significance of the Italian Ques | 1 |
Holmes Urban T Jr A Welsh Motif in Maries Guigemar | 11 |
Laura Hibbard Loomis Chaucer and the Breton Lays of | 14 |
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