Dwight's Journal of Music, Volumes 1-2John Sullivan Dwight Oliver Ditson & Company, 1853 |
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Pagina 5
... thought they seemed sometimes to rely too much on simple downright attack , and upon car- rying point after point of the music by sheer executive energy , instead of reproducing it from their feeling . The too ready applause of a half ...
... thought they seemed sometimes to rely too much on simple downright attack , and upon car- rying point after point of the music by sheer executive energy , instead of reproducing it from their feeling . The too ready applause of a half ...
Pagina 9
... thought and feeling , which Beethoven in this great work intended to portray . It is not a work written to commemorate Napoleon , the Em- peror , and exile of St. Helena , but one suggested by the career of the conqueror of Italy , ― of ...
... thought and feeling , which Beethoven in this great work intended to portray . It is not a work written to commemorate Napoleon , the Em- peror , and exile of St. Helena , but one suggested by the career of the conqueror of Italy , ― of ...
Pagina 10
... thought , which Beethoven followed in this grand composition , it is certain that he gave him- self to it with all ... thoughts remain un- touched ; there has been no alteration in the melody nor in the chords . " But the material effect ...
... thought , which Beethoven followed in this grand composition , it is certain that he gave him- self to it with all ... thoughts remain un- touched ; there has been no alteration in the melody nor in the chords . " But the material effect ...
Pagina 11
... thoughts , the beauty of the thematic development corresponds to the deductions , proofs and conclusions , which a ... thought . By the side of these attributes of the harmonico- melodic style , the delights of counterpoint seem very ...
... thoughts , the beauty of the thematic development corresponds to the deductions , proofs and conclusions , which a ... thought . By the side of these attributes of the harmonico- melodic style , the delights of counterpoint seem very ...
Pagina 13
... thoughts , expressed in the language of beauty . I have admired the art by which he so placed the head , that a glance ... thought to have some private matter for an " item . ” Nevertheless Otto Goldschmidt is an artist , -on of the pure ...
... thoughts , expressed in the language of beauty . I have admired the art by which he so placed the head , that a glance ... thought to have some private matter for an " item . ” Nevertheless Otto Goldschmidt is an artist , -on of the pure ...
Overige edities - Alles bekijken
Dwight's Journal of Music: A Paper of Art and Literature, Volumes 23-24 John Sullivan Dwight Volledige weergave - 1865 |
Veelvoorkomende woorden en zinsdelen
115 Washington 13 Tremont Row 21 School 36 School A. N. JOHNSON ACTION PIANO admirable advertisements Alboni artist audience bass beautiful Beethoven Boston Academy BOSTON MUSIC HALL cents choir CHOPIN chorus Church Music composer composition concert DEALER Dwight's Journal E. L. WHITE edition execution feeling friends fugue genius GEORGE JAMES WEBB German Glee grand Handel harmony HAYDN hear heard HENRY BERTINI Hymns Instructions instruments Italian Jenny Lind Journal of Music London LOWELL MASON Madame master Melodeon melody Mendelssohn Mlle Mozart MUSIC BOOKS MUSIC HALL musicians OLIVER DITSON opera Oratorios orchestra organ Organist overture performance pianist Piano Forte pieces played popular published Quartet ROSA GARCIA Rossini Sacred SCHOOL SONGS School St School Street singers singing Society Solfeggios solo Sontag soprano soul sound style sung Symphony taste Teachers tenor theatre tion tone tunes violin vocal voice Washington Street whole York
Populaire passages
Pagina 18 - Blow, bugle, blow, set the wild echoes flying, Blow, bugle; answer, echoes, dying, dying, dying. O hark, O hear! how thin and clear, And thinner, clearer, farther going! O sweet and far from cliff and scar The horns of Elfland faintly blowing! Blow, let us hear the purple glens replying: Blow, bugle; answer, echoes, dying, dying, dying.
Pagina 132 - To BLOSSOMS FAIR pledges of a fruitful tree, Why do ye fall so fast? Your date is not so past, But you may stay yet here awhile To blush and gently smile, And go at last.
Pagina 99 - But never elsewhere in one place I knew So many nightingales ; and far and near, In wood and thicket, over the wide grove, They answer and provoke each other's song, With skirmish and capricious passagings, And murmurs musical and swift jug jug, And one low piping sound more sweet than all — • Stirring the air with such a harmony, That should you close your eyes, you might almost Forget it was not day ! On moon-lit bushes.
Pagina 99 - Glides through the pathways; she knows all their notes, That gentle Maid ! and oft, a moment's space, What time the moon was lost behind a cloud, Hath heard a pause of silence...
Pagina 99 - Tis the merry Nightingale That crowds, and hurries, and precipitates With fast thick warble his delicious notes; As he were fearful that an April night Would be too short for him to utter forth His love-chant, and disburthen his full soul Of all its music...
Pagina 74 - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more.
Pagina 132 - Twas pity Nature brought ye forth Merely to show your worth, And lose you quite. But you are lovely leaves, where we May read how soon things have Their end, though ne'er so brave : And after they have shown their pride Like you, awhile, they glide Into the grave.
Pagina 74 - Ah, sad and strange as in dark summer dawns The earliest pipe of half-awakened birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more.
Pagina 43 - May sun sheds an amber light On new-leaved woods and lawns between ; But she who, with a smile more bright, Welcomed and watched the springing green, Is in her grave, Low in her grave. The fair white blossoms of the wood In groups beside the pathway stand ; But one, the gentle and the good, Who cropped them with a fairer hand, Is in her grave, Low in her grave. Upon the woodland's morning airs The small birds...
Pagina 48 - As fresh as bin the flowers in May, And of my love my roundelay, My merry, merry, merry roundelay, Concludes with Cupid's curse, — They that do change old love for new, Pray gods they change for worse ! Ambo simul.