Dwight's Journal of Music, Volumes 1-2John Sullivan Dwight Oliver Ditson & Company, 1853 |
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Pagina 5
... masters in their most select and genial moods ; for in his Chamber compositions each embodied , or at least outlined ... master's works . In these Quintette concerts , we have watched the development of what is much the truest sign of ...
... masters in their most select and genial moods ; for in his Chamber compositions each embodied , or at least outlined ... master's works . In these Quintette concerts , we have watched the development of what is much the truest sign of ...
Pagina 6
... master ! Guillaume Tell will survive the tomb , sur- vive the ages . Like the Iliad , that grand and inimitable poem of Homer , shall your inspired work serve as a model . Musicians , present and to come , will respect it and admire it ...
... master ! Guillaume Tell will survive the tomb , sur- vive the ages . Like the Iliad , that grand and inimitable poem of Homer , shall your inspired work serve as a model . Musicians , present and to come , will respect it and admire it ...
Pagina 8
... Master , The Melodeon without a Master , The Guitar without a Master , Curtis's Complete Method for Guitar , Curtis's Complete Method of Singing , Vocal Exercises and Solfeggios - Lowell Mason , Spohr's Violin School , Wragg's Flute ...
... Master , The Melodeon without a Master , The Guitar without a Master , Curtis's Complete Method for Guitar , Curtis's Complete Method of Singing , Vocal Exercises and Solfeggios - Lowell Mason , Spohr's Violin School , Wragg's Flute ...
Pagina 15
... master's concerted pieces in which the piano plays a part ; as duets with violin , trios , quartets , quintets with string or wind instruments , & c . Each piano forte volume is so bound , as to hold snugly and safely the brochures ...
... master's concerted pieces in which the piano plays a part ; as duets with violin , trios , quartets , quintets with string or wind instruments , & c . Each piano forte volume is so bound , as to hold snugly and safely the brochures ...
Pagina 16
... Master , The Guitar without a Master , .60 .50 Curtis's Complete Method for Guitar , 2.00 Curtis's Complete Method of Singing , 2.50 Vocal Exercises and Solfeggios- -Lowell Mason , Spohr's Violin School , 1.00 8.00 1.00 2.50 .50 .50 .25 ...
... Master , The Guitar without a Master , .60 .50 Curtis's Complete Method for Guitar , 2.00 Curtis's Complete Method of Singing , 2.50 Vocal Exercises and Solfeggios- -Lowell Mason , Spohr's Violin School , 1.00 8.00 1.00 2.50 .50 .50 .25 ...
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Dwight's Journal of Music: A Paper of Art and Literature, Volumes 23-24 John Sullivan Dwight Volledige weergave - 1865 |
Veelvoorkomende woorden en zinsdelen
115 Washington 13 Tremont Row 21 School 36 School A. N. JOHNSON ACTION PIANO admirable advertisements Alboni artist audience bass beautiful Beethoven Boston Academy BOSTON MUSIC HALL cents choir CHOPIN chorus Church Music composer composition concert DEALER Dwight's Journal E. L. WHITE edition execution feeling friends fugue genius GEORGE JAMES WEBB German Glee grand Handel harmony HAYDN hear heard HENRY BERTINI Hymns Instructions instruments Italian Jenny Lind Journal of Music London LOWELL MASON Madame master Melodeon melody Mendelssohn Mlle Mozart MUSIC BOOKS MUSIC HALL musicians OLIVER DITSON opera Oratorios orchestra organ Organist overture performance pianist Piano Forte pieces played popular published Quartet ROSA GARCIA Rossini Sacred SCHOOL SONGS School St School Street singers singing Society Solfeggios solo Sontag soprano soul sound style sung Symphony taste Teachers tenor theatre tion tone tunes violin vocal voice Washington Street whole York
Populaire passages
Pagina 18 - Blow, bugle, blow, set the wild echoes flying, Blow, bugle; answer, echoes, dying, dying, dying. O hark, O hear! how thin and clear, And thinner, clearer, farther going! O sweet and far from cliff and scar The horns of Elfland faintly blowing! Blow, let us hear the purple glens replying: Blow, bugle; answer, echoes, dying, dying, dying.
Pagina 132 - To BLOSSOMS FAIR pledges of a fruitful tree, Why do ye fall so fast? Your date is not so past, But you may stay yet here awhile To blush and gently smile, And go at last.
Pagina 99 - But never elsewhere in one place I knew So many nightingales ; and far and near, In wood and thicket, over the wide grove, They answer and provoke each other's song, With skirmish and capricious passagings, And murmurs musical and swift jug jug, And one low piping sound more sweet than all — • Stirring the air with such a harmony, That should you close your eyes, you might almost Forget it was not day ! On moon-lit bushes.
Pagina 99 - Glides through the pathways; she knows all their notes, That gentle Maid ! and oft, a moment's space, What time the moon was lost behind a cloud, Hath heard a pause of silence...
Pagina 99 - Tis the merry Nightingale That crowds, and hurries, and precipitates With fast thick warble his delicious notes; As he were fearful that an April night Would be too short for him to utter forth His love-chant, and disburthen his full soul Of all its music...
Pagina 74 - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more.
Pagina 132 - Twas pity Nature brought ye forth Merely to show your worth, And lose you quite. But you are lovely leaves, where we May read how soon things have Their end, though ne'er so brave : And after they have shown their pride Like you, awhile, they glide Into the grave.
Pagina 74 - Ah, sad and strange as in dark summer dawns The earliest pipe of half-awakened birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more.
Pagina 43 - May sun sheds an amber light On new-leaved woods and lawns between ; But she who, with a smile more bright, Welcomed and watched the springing green, Is in her grave, Low in her grave. The fair white blossoms of the wood In groups beside the pathway stand ; But one, the gentle and the good, Who cropped them with a fairer hand, Is in her grave, Low in her grave. Upon the woodland's morning airs The small birds...
Pagina 48 - As fresh as bin the flowers in May, And of my love my roundelay, My merry, merry, merry roundelay, Concludes with Cupid's curse, — They that do change old love for new, Pray gods they change for worse ! Ambo simul.