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the matter." Gibbon's legions are heavily armed, and march with precision and dignity to the music of their own tramp. They are splendidly equipped, but a nice eye can discern a little rust beneath their fine apparel, and there are suttlers in his camp who lie, cog, and talk grōss obscenity. Macaulay, brisk, lively, keen, and energetic, runs his thoughts rapidly through his sentence, and kicks out of the way every word which obstructs his passage. He reins in his steed only when he has reached his goal, and then does it with such celerity that he is nearly thrown backward by the suddennèss of his stoppag.
4. Gifford's' words are moss-troopers, that waylay innocent travelers and murder them for hire. Jeffrey is a fine "lance," with a sort of Ar'ab swiftnèss in his movement, and runs an iron-clad horseman through the eye before he has had time to close his helmet. John Wilson's' camp is a disorganized mass, who might do effectual service under better discipline, but who under his lead are suffered to carry on a rambling and predatory warfare, and disgrace their general by flagitious excesses. Sometimes they steal, sometimes swear, sometimes drink, and sometimes pray.
5. Swift's words are porcupine's quills, which he throws with unĕrring aim at whoever approaches his lair. All of Ebenezer Elliot's words are gifted with huge fists, to pummel and bruise. Chatham and Mirabeau throw hot shot into their opponents' magazines. Talfourd's forces are orderly and disciplined, and march to the music of the Dorian flute; those of Keats' keep time to the tones of the pipe of Phoebus; and the hard, harsh
1William Gifford, a celebrated English writer, was born in 1756, and died in 1826.
2 John Wilson, a well-known and very eminent Scottish writer, was born in 1785, and died in 1854.
' Ebenezer Elliot, a genuine poet, the celebrated "Corn Law Rhymer," was born in 1781, and died in 1849. Chatham, William Pitt, Earl of Chatham, one of the most celebrated of British statesmen and orators, born November 15th, 1708, and died May 11th, 1778.
greatest orators and writers of France, and a leader of the revolution, was born in 1749, and died in 1791.
Thomas Noon Talfourd, an able English poet and prose writer, an advocate, judge, and member of Parliament, beloved for his social virtues, was born in 1795, and died in 1854.
1 John Keats, a true poet, born in London, in 1796, and died at Rome, in 1820.
Phœbus, the Bright or Pure, an epithet of Apollo, used to signify the brightness and purity of youth, also
Mirabeau, (mè`rå bỏ), one of the applied to him as the Sun-god.
featured battalions of Maginn,' are always preceded by a brass band. Hallam's' word-infantry can do much execution, when they are not in each other's way. Pope's phrases are either daggers or rapiërs.
6. Willis's words are often tipsy with the champagne of the fancy, but even when they reel and stagger they keep the line of grace and beauty, and though scattered at first by a fierce onset from graver cohorts, soon reünite without wound or loss. John Neal's forces are multitudinous, and fire briskly at every thing. They occupy all the provinces of letters, and are nearly useless from being spread over too much ground. Everett's weapons are ever kept in good order, and shine well in the sun, but they are little calculated for warfare, and rarely kill when they strike. Webster's words are thunder-bolts, which sometimes miss the Titans at whom they are hurled, but always leave enduring marks when they strike.
7. Hazlitt's' verbal army is sometimes drunk and surly, somctimes foaming with passion, sometimes cool and malignant ; but drunk or sober, are ever dangerous to cope with. Some of Tom Moore's words are shining dirt, which he flings with excellent aim. This list might be indefinitely extended, and arranged with more regard to merit and chronology. My own words, in this connection, might be compared to ragged, undisciplined militia, which could be easily routed by a charge of horse, and which are apt to fire into each other's faces. WHIPPLE.
E. P. WHIPPLE, one of the youngest and most brilliant of American writers, was born in Gloucester, Massachusetts, on the 8th of March, 1819. When four years of age, his family removed to Salem, where he attended various schools until he was fifteen, when he entered the Bank of General Interest in that city as a clerk. In his eighteenth year, he went to Boston, where he has ever since been occupied mainly with commercial pursuits. Although, from the age of fourteen, Mr. Whipple has been a writer for the press, occasionally writing remarkably well, he was only known as a writer to his few associates and confidants until 1843, when he published in the Boston Miscellany a paper on Macaulay, rivaling in analysis, and reflection, and richness of diction, the best productions
1 William Maginn, L.L. D., an able British writer of prose and poetry, a frequent contributor to "Blackwood's Magazine," the founder of "Frazer's Magazine," was born at Cork, in 1794, and died at Walton-on-the Thames, in 1842.
ar, one of the greatest British historians, author of "View of the State of Europe during the Middle Ages," born in 1777, and died Jan. 21st, 1859.
' William Hazlitt, a well-known and very able British essayist and critic of art and poetry, born in 1778,
2 Henry Hallam, a profound schol- and died in 1830.
of that brilliant essayist. He has since published, in the North American Review, articles on the Puritans, American Poets, Daniel Webster as an Author, Old English Dramatists, British Critics, South's Sermons, Byron, Wordsworth, Talfourd, Sydney Smith, and other subjects; in the American Review, on Beaumont and Fletcher, English Poets of the Nineteenth Century, etc.; and in other periodicals, essays and reviewals enough to form several volumes. As a critic, he writes with keen discrimination, cheerful confidence, and unhesitating freedom; illustrating truth with almost unerring precision, and producing a fair and distinct impression of an author. His style is sensuous, flowing, and idiomatic, abounding in unforced antitheses, apt illustrations, and natural grace.
65. FROM THE ESSAY ON CRITICISM.
HOEVER thinks a faultlèss piece to see
Thinks what ne'er was, nor is, nor e'er shall be.
Since none can compass more than they intend;
2. Some to conceit ălōne their taste confine,
And glittering thoughts struck out at every line;
What oft was thought, but ne'er so well expressed;
For works may have more wit than does them good,
3. Others for language all their care express,
And value books, as women men-for dress:
4. Expression is the dress of thought, and still
Be not the first by whom the new are tried,
5. But most by numbers judge a poet's song;
And smooth or rough, with them, is right or wrong.
' Par năs' sus, a celebrated mountain in Greece, considered in mythology as sacred to Apollo and the Muses.
Where'er you find the "cooling western breeze,"
With some unmeaning thing they call a thought,
A needless Alexandrine' ends the song,
That, like a wounded snake, drags its slow length along. 6. Leave such to tune their own dull rhymes, and know What's roundly smooth or languishingly slow;
And praise the easy vigor of a line,
Where Denham's' strength and Waller's sweetness join.
7. When Ajax' strives some rock's vast weight to throw;
Not so when swift Camilla scours the plain,
Flies o'er the unbending corn, and skims along the main :
And bids altern'ate passions fall and rise!
While, at each change, the son of Libyan Jove'
1 Al ex ǎn' drine, a verse or line of twelve syllables, so called from a poem written in French, on the life of Alexander.
num, was one of the swift-footed ser vants of Diana, accustomed to the chase and to war. Virgil represents her as so swift and light of foot, that she could run over a field of corn without bending the stalks, or over the sea without wetting her feet.