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Contents.
Introduction.
§ 1. Versification. Rhythm. .
§ 2. Rhythm of Poetry. Quantitative and Accented
Metre
§ 3. Arsis and Thesis. Bar [Glied], Foot
§ 4. Verse and Stanza. Alliteration and Rime.
§ 5. The Object of English Prosody.
§ 6. Division of English Prosody
§ 7. For the Study of English Prosody
§ 8. Aids to the Study of English Prosody: XVI to
Page
1
134678
9
10
11
Section I.
Old English Prosody (450-1100).
§ 11. Alliterative Verse and 'Schwellvers'.
§ 12. Alliterative Verse the common property of all
Germanic Peoples
§ 13. Origin of Alliterative Verse.
§ 14. Division into Stanzas.
§ 15. Metrical Unity of the Long Line .
14
§ 16. Theories concerning the Rhythmical Construction
of Alliterative Verse
§ 17. Lachmann.
§ 18. Rules of the Four-Beat Theory.
§ 19. Müllenhoff, Jessen, Amelung, Heyne
§ 20. Schubert.
§ 21. Two-Beat Theory: Wackernagel.
§ 22. Rieger, Vetter, Hildebrand, Schipper
§ 23. Laws of the Two-Beat Theory
§ 24. Criticism of the Two-Beat Theory
§ 25.
"
§ 26. Insufficiency of the Two-Beat Theory.
§ 27. Sievers
(conclusion).
58
§ 35. The Combination of Two Types to form a Long
(conclusion)
§ 40. The correct Division of Sievers' Types
§ 41. Spread of Sievers' System . .
§ 42. Möller's Objections to Sievers' System
§ 43. Möller's Theory
§ 44. Criticism of Möller's System
§ 45. Hirt's Theory
§ 46. Fuhr.
§ 49. Criticism of ten Brink's Theory
§ 50. A new attempt with the strict Four-Beat Theory 59
§ 51. Law stating when Prefixes may have a Beat.
60
§ 52. Law stating when a Disyllabic Word with a short
root-syllable at the end of a verse may have
§ 54. Compatibility of the Four-Beat Theory with Sievers'
Types
§ 55. Derivation from a Common Indo-Germanic origi-
nal Verse
§ 56. Kögel
§ 57. Trautmann.
§ 58. Trautmann's 16+12 Verse-forms
§ 59. Criticism of Trautmann's System
§ 60. Martin.
§ 61. Neither two nor four Beats, but four Members
§ 62. Division of Alliterative Verses into 90 Subspecies
according to their Composition
§ 63. Outline of the Four-Member Theory
§ 64. Feminine, Masculine and Gliding Verse-ending
§ 65. A. Verses with Feminine Ending
§ 66. Types 1-10 (Sievers' A1). :
§ 67. Types 11-20 (Sievers' A2)
§ 68. Types 21-28 (Sievers' A3)
§ 69. Types 29. 30 (A4) . .
70. B. Verses with Masculine Ending
§ 71. Types 31-10 (Sievers' B).
§ 72. Types 41-50 (Sievers' D2)
§ 73. Types 49. 50. . .
92
93
94
95
96
97
100
101
§ 74. Types 51-60 (Sievers' E)
§ 75. C. Verses with Gliding Ending
§ 76. Types 61-70 (Sievers' C).
§ 77. Types 71-88 (Sievers' D1)
§ 78. Types 89. 90 (Sievers' A2k).
§ 79. Use of the Parts of Speech in Verse: a) Strongly
stressed Parts of Speech
.
§ 80. b) Weakly stressed Parts of Speech.
§ 81. Frequency of the individual Types
§ 82. The Relation of the first Half-Line to the Second 103
§ 83. Combination of two Half-Lines to form a Long
Lines
§ 86. 'Schwell verse' (Lengthened Lines).
§ 87. The older Theories with regard to Lengthened
§ 88. Lengthened Lines in Beowulf
109
110
§ 96. How far the various kinds of words may alliterate 119
§ 97. Vowel and Consonant Alliteration
121
§ 98. How frequently the various Sounds alliterate.
§ 99. Variety in Alliteration
§ 100. Rime.
Middle English Period (1100—1500).
§ 101. Development of English Prosody in the ME.
a) The early ME. Period (1100—1250).
§ 102. Development of English Verse in the early ME.
Period.
§ 103. Influence of Linguistic Alterations on the De-
velopment of English Prosody.
§ 104. Influence of Foreign Models in ME.
§ 105. Introduction of Rime.
§ 106. Last alliterative Verses in early ME..