Lives of the English Poets, Volume 1Oxford University Press, 1952 - 472 pagina's |
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Pagina 55
... performance was not his own , but that he had bought it of a vicar for forty pounds . The same attempt was made to rob Addison of his Cato , and Pope of his Essay on Criticism . In 1647 , the distresses of the royal family required him ...
... performance was not his own , but that he had bought it of a vicar for forty pounds . The same attempt was made to rob Addison of his Cato , and Pope of his Essay on Criticism . In 1647 , the distresses of the royal family required him ...
Pagina 238
... performance was so much disapproved , that he was compelled to recall it , and change it from its imperfect state to ... performances ; it will be fit however to enumerate them , and to take especial notice of those that are ...
... performance was so much disapproved , that he was compelled to recall it , and change it from its imperfect state to ... performances ; it will be fit however to enumerate them , and to take especial notice of those that are ...
Pagina 289
... performance . The different manner and effect with which critical knowledge may be conveyed , was perhaps never more clearly exemplified than in the performances of Rymer and Dryden . It was said of a dispute between two mathe ...
... performance . The different manner and effect with which critical knowledge may be conveyed , was perhaps never more clearly exemplified than in the performances of Rymer and Dryden . It was said of a dispute between two mathe ...
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Absalom and Achitophel Addison admiration afterwards ancient appears beauties better blank verse Cato censure character Charles Dryden compositions considered Cowley criticism death delight diction diligence dramatick Dryden duke Earl elegance endeavoured English excellence fancy favour friends genius heroick honour Hudibras images imagination imitation Jacob Tonson John Dryden judgement Juvenal kind King known labour Lady language Latin learning lines lived lord Lord Conway Lord Roscommon Milton mind nature never NIHIL numbers observed opinion Paradise Lost passages passions performance perhaps Philips Pindar play pleasure poem poet poetical poetry Pope pounds praise produced publick published reader reason relates remarks reputation rhyme satire says seems Sempronius sentiments shew shewn sometimes Sprat supposed Syphax Tatler thing thou thought tion told tragedy translation Tyrannick Love verses versification Virgil virtue Waller Whig words write written wrote