ShakespeareDuffield, 1922 - 377 pagina's |
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Pagina ii
... Romance Languages in Harvard Uni- versity . CERVANTES . By RUDOLPH SCHEVILL , Professor of Spanish in the University of California . SHAKESPEARE . By RAYMOND MACDONALD ALDEN , Pro- fessor of English in Stanford Univer- sity . TOLSTOY ...
... Romance Languages in Harvard Uni- versity . CERVANTES . By RUDOLPH SCHEVILL , Professor of Spanish in the University of California . SHAKESPEARE . By RAYMOND MACDONALD ALDEN , Pro- fessor of English in Stanford Univer- sity . TOLSTOY ...
Pagina viii
... romance . Love's Labor's Lost of uncer- tain origin and history . Satire of contemporary affecta- tions . Slight elements of characterization . The Comedy of Errors based on a farce by Plautus ; Shakespeare's contribution of certain ...
... romance . Love's Labor's Lost of uncer- tain origin and history . Satire of contemporary affecta- tions . Slight elements of characterization . The Comedy of Errors based on a farce by Plautus ; Shakespeare's contribution of certain ...
Pagina ix
... romance and relatively original character comedy developed side by side . Beatrice marks the growing importance of women in Shakespeare's drama . As You Like It a blend of love and adventure , based on an earlier novel . Rosalind as the ...
... romance and relatively original character comedy developed side by side . Beatrice marks the growing importance of women in Shakespeare's drama . As You Like It a blend of love and adventure , based on an earlier novel . Rosalind as the ...
Pagina x
... romance , strikingly undramatic in form . The fourth act , centered in the character of Marina , a kind of condensed drama by itself . Cymbeline shows more mature experi- mentation with similar romantic material . A romantic tragi ...
... romance , strikingly undramatic in form . The fourth act , centered in the character of Marina , a kind of condensed drama by itself . Cymbeline shows more mature experi- mentation with similar romantic material . A romantic tragi ...
Pagina xi
... romance , perhaps shortened from a more conven- tional original . The tale of adventure now unified in per- fect dramatic form . Supernatural elements characterized by high seriousness and a suggestion of symbolism . tempting suspicion ...
... romance , perhaps shortened from a more conven- tional original . The tale of adventure now unified in per- fect dramatic form . Supernatural elements characterized by high seriousness and a suggestion of symbolism . tempting suspicion ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
action audience beauty Ben Jonson called character characterization chief chronicle drama chronicle-history comedy comic conceits conventional Coriolanus course criticism Cymbeline death developed dramatist elements Elizabethan England English evidence evil experience fact Falstaff familiar farce feeling Fortune Hamlet hand Henry the Fifth Henry the Fourth hero human interest interpretation Italian Jonson Julius Cæsar king King Lear Lear lines London Love's Labor's Lost Lucrece lyric Macbeth manner matter Merchant of Venice modern mood moral nature Othello passion Pericles period persons play plot Plutarch poems poet poetic poetry popular present prose reader reign Renaissance represent Richard the Third romance Romeo and Juliet scene seems sense serious Shake Shakespeare sonnets soul speare speare's spirit stage story Stratford sympathy theatre theme things thou thought tion Titus Andronicus tragedy tragi-comedy tragic Troilus and Cressida true verse villain whole wholly Winter's Tale words write youth
Populaire passages
Pagina 141 - ... rebel powers that thee array, Why dost thou pine within and suffer dearth, Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend ? Shall worms, inheritors of this excess, Eat up thy charge? is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be rich no more: So shalt thou feed on Death, that feeds...
Pagina 138 - Then hate me when thou wilt ; if ever, now ; Now, while the world is bent my deeds to cross, Join with the spite of fortune...
Pagina 195 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Pagina 112 - Time's glory is to calm contending kings, To unmask falsehood, and bring truth to light, To stamp the seal of time in aged things, To wake the morn, and sentinel the night, To wrong the wronger till he render right ; To ruinate proud buildings with thy hours, And smear with dust their glittering golden towers : 1 To fill with worm-holes stately monuments, To feed oblivion with decay of things, To blot old books, and alter their contents, To pluck the quills from ancient ravens...
Pagina 97 - Euripides, and Sophocles to us, Pacuvius, Accius, him of Cordova, dead, To life again, to hear thy buskin tread And shake a stage; or when thy socks were on, Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
Pagina 127 - When in the chronicle of wasted time I see descriptions of the fairest wights ; And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights ; — Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Pagina 340 - The heavens themselves, the planets, and this centre Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...
Pagina 97 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou are a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Pagina 172 - This royal throne of kings, this scept'red isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Pagina 270 - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more or less ; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man ; Yet I am doubtful : for I am mainly ignorant What place this is ; and all the skill I have Remembers not these garments ; nor I know not Where I did lodge last night. Do not laugh at me ; For, as I am a man, I think this lady To be my child Cordelia.