ShakespeareDuffield, 1922 - 377 pagina's |
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Pagina vii
... Elizabethan England . The significance of the Renaissance in his lit- erary environment . Classical and Italian influences . The new interest in poetry , and in art prose . The neo - platonic doctrines of love . Ideas of villainy . The ...
... Elizabethan England . The significance of the Renaissance in his lit- erary environment . Classical and Italian influences . The new interest in poetry , and in art prose . The neo - platonic doctrines of love . Ideas of villainy . The ...
Pagina ix
... Elizabethan taste . Tragic types in general ; the analogy with those of comedy . Senecan influence on Elizabethan tragedy . Titus Andro- nicus , of disputed or partial Shakespeare authorship , in the Senecan style . Significant use of ...
... Elizabethan taste . Tragic types in general ; the analogy with those of comedy . Senecan influence on Elizabethan tragedy . Titus Andro- nicus , of disputed or partial Shakespeare authorship , in the Senecan style . Significant use of ...
Pagina xi
... Elizabethan and a child of the Renaissance . As dramatist unoriginal in both material and method . His comedy characterized chiefly by the union of the comic and , romantic spirits . His tragedy Elizabethan in form , but akin to ...
... Elizabethan and a child of the Renaissance . As dramatist unoriginal in both material and method . His comedy characterized chiefly by the union of the comic and , romantic spirits . His tragedy Elizabethan in form , but akin to ...
Pagina xv
... Elizabethan , he must have been limited by Elizabethan psychology . The conception of him as strik- ing out his great creations by aid of the inner light gave way , in some quarters , to that of a business - like person who studied the ...
... Elizabethan , he must have been limited by Elizabethan psychology . The conception of him as strik- ing out his great creations by aid of the inner light gave way , in some quarters , to that of a business - like person who studied the ...
Pagina xvi
... Elizabethan audience expected and demanded at least one clownish scene in every tragedy , and secondly , that at the point in question there was a convenient oppor- tunity for such an interlude , since the spectator must be made to ...
... Elizabethan audience expected and demanded at least one clownish scene in every tragedy , and secondly , that at the point in question there was a convenient oppor- tunity for such an interlude , since the spectator must be made to ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
action audience beauty Ben Jonson called character characterization chief chronicle drama chronicle-history comedy comic conceits conventional Coriolanus course criticism Cymbeline death developed dramatist elements Elizabethan England English evidence evil experience fact Falstaff familiar farce feeling Fortune Hamlet hand Henry the Fifth Henry the Fourth hero human interest interpretation Italian Jonson Julius Cæsar king King Lear Lear lines London Love's Labor's Lost Lucrece lyric Macbeth manner matter Merchant of Venice modern mood moral nature Othello passion Pericles period persons play plot Plutarch poems poet poetic poetry popular present prose reader reign Renaissance represent Richard the Third romance Romeo and Juliet scene seems sense serious Shake Shakespeare sonnets soul speare speare's spirit stage story Stratford sympathy theatre theme things thou thought tion Titus Andronicus tragedy tragi-comedy tragic Troilus and Cressida true verse villain whole wholly Winter's Tale words write youth
Populaire passages
Pagina 141 - ... rebel powers that thee array, Why dost thou pine within and suffer dearth, Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend ? Shall worms, inheritors of this excess, Eat up thy charge? is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be rich no more: So shalt thou feed on Death, that feeds...
Pagina 138 - Then hate me when thou wilt ; if ever, now ; Now, while the world is bent my deeds to cross, Join with the spite of fortune...
Pagina 195 - A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it...
Pagina 112 - Time's glory is to calm contending kings, To unmask falsehood, and bring truth to light, To stamp the seal of time in aged things, To wake the morn, and sentinel the night, To wrong the wronger till he render right ; To ruinate proud buildings with thy hours, And smear with dust their glittering golden towers : 1 To fill with worm-holes stately monuments, To feed oblivion with decay of things, To blot old books, and alter their contents, To pluck the quills from ancient ravens...
Pagina 97 - Euripides, and Sophocles to us, Pacuvius, Accius, him of Cordova, dead, To life again, to hear thy buskin tread And shake a stage; or when thy socks were on, Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come.
Pagina 127 - When in the chronicle of wasted time I see descriptions of the fairest wights ; And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights ; — Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Pagina 340 - The heavens themselves, the planets, and this centre Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...
Pagina 97 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou are a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Pagina 172 - This royal throne of kings, this scept'red isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Pagina 270 - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more or less ; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man ; Yet I am doubtful : for I am mainly ignorant What place this is ; and all the skill I have Remembers not these garments ; nor I know not Where I did lodge last night. Do not laugh at me ; For, as I am a man, I think this lady To be my child Cordelia.