The Sociology of LiteraturePaladin, 1972 - 281 pagina's Introduces the chief schools of thought relating literature to social structure and change. Examines the writings of contributors to its development, including Taine, Marx, Engels, Lukacs, and Goldmann. Considers the economic position, politics, and image of the writer. Finally, gives practical application to the methods of literary sociology in discussions which explore the novels of Fielding and Richardson in the perspective of the rise of the middle class, the alienation of Sartre, Camus, and Nathanael West, and the politicization of George Orwell. |
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Pagina 26
... aesthetic based on natural science , history , and psychology . Herder argued that each work of literature was rooted in a certain social and geographical environment where it performed specific functions and that there was no need for ...
... aesthetic based on natural science , history , and psychology . Herder argued that each work of literature was rooted in a certain social and geographical environment where it performed specific functions and that there was no need for ...
Pagina 51
... aesthetic sense which Plekhanov derived from the aesthetic writings of Kant . He was fully aware that merely showing the social function of art leaves unanswered the question of value . Kant's idealistic aesthetic , that good can be ...
... aesthetic sense which Plekhanov derived from the aesthetic writings of Kant . He was fully aware that merely showing the social function of art leaves unanswered the question of value . Kant's idealistic aesthetic , that good can be ...
Pagina 60
... aesthetic system ' where it performed specific func- tions . Devices of plot , narrative , and technique existed inde- pendently of external factors , constituting what one Formalist called the ' self - determined use of material ...
... aesthetic system ' where it performed specific func- tions . Devices of plot , narrative , and technique existed inde- pendently of external factors , constituting what one Formalist called the ' self - determined use of material ...
Inhoudsopgave
Preface vii | 11 |
Introduction | 91 |
The Professionalization of the Writer | 117 |
Copyright | |
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absurd accepted aesthetic alienation analysis Animal Farm argued aristocratic artist audience authors became become bourgeois bourgeoisie Camus capitalism capitalist character concept consciousness critical culture D. H. Lawrence depicted dominant early economic eighteenth century Engels England English essay example existence expression factors fiction Fielding Fielding's function genre genuine Goldmann grasp hero human Ian Watt ideology individual intellectual Jones labour London Lukács Madame de Staël Malraux's man's Marx Marxist ment Meursault middle class Miss Lonelyhearts modern Nathanael West nature nausea Nineteen Eighty-Four nineteenth century novel form novelist objects Orwell Orwell's Party patron patronage philosophical picaresque Plekhanov political portray production published realism reflection relations relationship revolution Richardson Robbe-Grillet role Roquentin Sartre sense sexual social class social group social structure social world sociology of literature Sophia status struggle Taine theme theory tion Tom Jones tradition values Wellek wholly Winston women world vision writers wrote