Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 5
... sentence has ever been given : there is no specification to which you can build . Yet every educated person recognizes a sentence when he sees one . The mystery of its connection with a train of thought is the point of departure for our ...
... sentence has ever been given : there is no specification to which you can build . Yet every educated person recognizes a sentence when he sees one . The mystery of its connection with a train of thought is the point of departure for our ...
Pagina 7
... sentence : " The wind blew across the desert and whistled where the corpse lay . " No longer comic , but wrong again , because the new close - linking suggests that the whistling took place only near the corpse . In framing a sentence ...
... sentence : " The wind blew across the desert and whistled where the corpse lay . " No longer comic , but wrong again , because the new close - linking suggests that the whistling took place only near the corpse . In framing a sentence ...
Pagina 230
... sentence to express a proposition is for it to be a member of a group of sentences . But this class membership does not imply that a given sentence is one sub - form of a main propositional form . Rather , all members of the class have ...
... sentence to express a proposition is for it to be a member of a group of sentences . But this class membership does not imply that a given sentence is one sub - form of a main propositional form . Rather , all members of the class have ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York