Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 13
... sense of its full possibilities . No mind , including the author's , can take in at one scoop the message of this clumsy compound . Therefore he had no excuse for printing it , even if when he writes his mind does work on the rocket ...
... sense of its full possibilities . No mind , including the author's , can take in at one scoop the message of this clumsy compound . Therefore he had no excuse for printing it , even if when he writes his mind does work on the rocket ...
Pagina 74
... sense . Often you can only guess at it , for the writers have evidently not said what they intended . Another cause of obscurity is that the writer is himself not quite sure of his meaning . He has a vague impression of what he wants to ...
... sense . Often you can only guess at it , for the writers have evidently not said what they intended . Another cause of obscurity is that the writer is himself not quite sure of his meaning . He has a vague impression of what he wants to ...
Pagina 160
... sense and elegant expres- sion : these are mob readers . If Virgil and Martial stood for Parliament men , we know already who would carry it . But though they make the greatest appearance in the field and cry the loudest , the best on't ...
... sense and elegant expres- sion : these are mob readers . If Virgil and Martial stood for Parliament men , we know already who would carry it . But though they make the greatest appearance in the field and cry the loudest , the best on't ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York