Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 48
... question mark . The question mark is alright when it is all alone when it is used as a brand on cattle or when it could be used in decoration but connected with writing it is completely entirely completely uninteresting . It is evident ...
... question mark . The question mark is alright when it is all alone when it is used as a brand on cattle or when it could be used in decoration but connected with writing it is completely entirely completely uninteresting . It is evident ...
Pagina 49
... question marks and quotation marks and exclamation points and now anybody sees it that way . Perhaps some day they will see it some other way but now at any rate anybody can and does see it that way . So there are the uninteresting ...
... question marks and quotation marks and exclamation points and now anybody sees it that way . Perhaps some day they will see it some other way but now at any rate anybody can and does see it that way . So there are the uninteresting ...
Pagina 225
... question " What about a dog ? " ; but the word " dog's " leads to the question " Dog's what , and what about it ? " Thus English offers the speaker or writer two different notions of a certain four - footed animal ; it sees the canine ...
... question " What about a dog ? " ; but the word " dog's " leads to the question " Dog's what , and what about it ? " Thus English offers the speaker or writer two different notions of a certain four - footed animal ; it sees the canine ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York