Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 245
... precise communica- tion ' . Believe me , I did this without any intention of burking the issue , but simply because to postpone the crucial dis- cussion seemed the only way of keeping a sense of propor- tion about it . For style wholly ...
... precise communica- tion ' . Believe me , I did this without any intention of burking the issue , but simply because to postpone the crucial dis- cussion seemed the only way of keeping a sense of propor- tion about it . For style wholly ...
Pagina 251
... precisely . But mark what happened when I began to try to express it precisely ; I did exactly what Stendhal tells me to do . I began to add circumstances . I knew instinctively that I could not give my feeling any more precise ...
... precisely . But mark what happened when I began to try to express it precisely ; I did exactly what Stendhal tells me to do . I began to add circumstances . I knew instinctively that I could not give my feeling any more precise ...
Pagina 260
... precise visual image plays a very small part in it . What happens , I think , is that a perceived quality in one kind of existence is transferred to define a quality in another kind of existence . To hark back to our examples from ...
... precise visual image plays a very small part in it . What happens , I think , is that a perceived quality in one kind of existence is transferred to define a quality in another kind of existence . To hark back to our examples from ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 1 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Correctness and Style in English Composition | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone UNIV University verbs vocabulary whole WILLIAM HAZLITT words written York