Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 129
Frederick H. Candelaria. first , they too assume their own parallel . Not that in a single passage all these parallel meanings will occur simultaneously , or with equal emphasis . It is the function of syntax and other forms of meaning ...
Frederick H. Candelaria. first , they too assume their own parallel . Not that in a single passage all these parallel meanings will occur simultaneously , or with equal emphasis . It is the function of syntax and other forms of meaning ...
Pagina 131
... parallel are the inevitable expressions of any writer who dwells upon , elaborates , or emphasizes any point , even for a moment . We move nearer to the characteristically Johnsonian parallel with the next degree , that of implicitly ...
... parallel are the inevitable expressions of any writer who dwells upon , elaborates , or emphasizes any point , even for a moment . We move nearer to the characteristically Johnsonian parallel with the next degree , that of implicitly ...
Pagina 132
... parallel . " Having begun with an elaborate example , we must now re- turn to the germ of the matter . The simplest form which im- plicit parallel can assume is that where the emphatic ele- ments in parallel positions consist of a ...
... parallel . " Having begun with an elaborate example , we must now re- turn to the germ of the matter . The simplest form which im- plicit parallel can assume is that where the emphatic ele- ments in parallel positions consist of a ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 1 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Correctness and Style in English Composition | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone UNIV University verbs vocabulary whole WILLIAM HAZLITT words written York