Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 54
... paragraph and so producing in them the bal- ance of a paragraph not a balance of a sentence , because of course the balance of a paragraph is not the same balance as the balance of a sentence . It is only necessary to read anything in ...
... paragraph and so producing in them the bal- ance of a paragraph not a balance of a sentence , because of course the balance of a paragraph is not the same balance as the balance of a sentence . It is only necessary to read anything in ...
Pagina 55
Frederick H. Candelaria. nor were they a paragraph but they had made in so far as they had come to be so long and ... paragraphs the question can really be asked must there always be sentences and paragraphs is it not possible to achieve ...
Frederick H. Candelaria. nor were they a paragraph but they had made in so far as they had come to be so long and ... paragraphs the question can really be asked must there always be sentences and paragraphs is it not possible to achieve ...
Pagina 99
... paragraph from Crane's short story . This paragraph in a story some twelve or thirteen thousand words long contains , like the one from Cooper , six sentences , but those six sentences have fewer than half as many words . Although , in ...
... paragraph from Crane's short story . This paragraph in a story some twelve or thirteen thousand words long contains , like the one from Cooper , six sentences , but those six sentences have fewer than half as many words . Although , in ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York