Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 106
... observation slightly , is a ter- rible insistence of self - revelation : The petrifying influence of surprise yielded to the impetu- osities of passion . I held him in my arms ; I wept upon his bosom ; I sobbed with emotion which , had ...
... observation slightly , is a ter- rible insistence of self - revelation : The petrifying influence of surprise yielded to the impetu- osities of passion . I held him in my arms ; I wept upon his bosom ; I sobbed with emotion which , had ...
Pagina 160
Frederick H. Candelaria. observation on Ovid's writing a letter from Dido to Aeneas , in the following words : “ Ovid ... observe , that the taste of most of our English poets , as well as readers , is extremely Gothic . He quotes ...
Frederick H. Candelaria. observation on Ovid's writing a letter from Dido to Aeneas , in the following words : “ Ovid ... observe , that the taste of most of our English poets , as well as readers , is extremely Gothic . He quotes ...
Pagina 203
... observation but a misogynist common- place of the tavern , with an emotional fringe entirely lacking in the French . The two sentences require an entirely differ- ent kind of acceptance from the reader . Further comparison is impossible ...
... observation but a misogynist common- place of the tavern , with an emotional fringe entirely lacking in the French . The two sentences require an entirely differ- ent kind of acceptance from the reader . Further comparison is impossible ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York