Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 72
... Never use a long word when you can find a short one , or a Latin word when you can find a good Old English one . 3. Suspect yourself of wordiness whenever you see an of , a which or a that . Inspect all areas surrounding any form of to ...
... Never use a long word when you can find a short one , or a Latin word when you can find a good Old English one . 3. Suspect yourself of wordiness whenever you see an of , a which or a that . Inspect all areas surrounding any form of to ...
Pagina 83
... never be any doubt left as to where something happened or is expected to happen . 5. WHEN ? There should never be any doubt left as to when . 6. HOW MUCH ? There should never be any doubt left as to how much or how long . 7. HOW MANY ...
... never be any doubt left as to where something happened or is expected to happen . 5. WHEN ? There should never be any doubt left as to when . 6. HOW MUCH ? There should never be any doubt left as to how much or how long . 7. HOW MANY ...
Pagina 165
... never feeble , and he did not wish to be ener- getic ; he is never rapid , and he never stagnates . His sen- tences have neither studied amplitude , nor affected brevity ; his periods , though not diligently rounded , are voluble and ...
... never feeble , and he did not wish to be ener- getic ; he is never rapid , and he never stagnates . His sen- tences have neither studied amplitude , nor affected brevity ; his periods , though not diligently rounded , are voluble and ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York