Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 22
... begin as personal emo- tions . 3. Test Barzun and Graff's remarks about telegraphic style by reducing a paragraph of their essay to the style of a telegram . 4. Documenting an essay by means of footnotes or amplifying a point made in ...
... begin as personal emo- tions . 3. Test Barzun and Graff's remarks about telegraphic style by reducing a paragraph of their essay to the style of a telegram . 4. Documenting an essay by means of footnotes or amplifying a point made in ...
Pagina 56
... begin thinking about those great masters of English prose whose style , he has been informed , is excellent . Should the student , now that he has learned the basic lessons of clear writing , begin to imitate these masters ? After all ...
... begin thinking about those great masters of English prose whose style , he has been informed , is excellent . Should the student , now that he has learned the basic lessons of clear writing , begin to imitate these masters ? After all ...
Pagina 219
... begin the argument , unabashedly , where so many critical arguments begin - with I. A. Richards . Socrates is wise . Wisdom belongs to Socrates . Mr. Richards offers these two sentences as a capsule demon- stration of the way in which ...
... begin the argument , unabashedly , where so many critical arguments begin - with I. A. Richards . Socrates is wise . Wisdom belongs to Socrates . Mr. Richards offers these two sentences as a capsule demon- stration of the way in which ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York