Perspectives on StyleAllyn and Bacon, 1967 - 272 pagina's |
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Pagina 54
... balance of a paragraph is not the same balance as the balance of a sentence . It is only necessary to read anything in order to know that . I say if I succeeded in making my sentences so long that they held within themselves the balance ...
... balance of a paragraph is not the same balance as the balance of a sentence . It is only necessary to read anything in order to know that . I say if I succeeded in making my sentences so long that they held within themselves the balance ...
Pagina 55
... balance of their own that they had they had become something that was a whole thing and in so being they had a balance which was the balance of a space completely not filled but created by some- thing moving as moving is not as moving ...
... balance of their own that they had they had become something that was a whole thing and in so being they had a balance which was the balance of a space completely not filled but created by some- thing moving as moving is not as moving ...
Pagina 128
... balance , " which has been either over- looked or , if noticed , pursued with disregard for the re- lation between the two qualities distinguished . These two qualities are parallelism of meaning and parallelism of sound . Perhaps it is ...
... balance , " which has been either over- looked or , if noticed , pursued with disregard for the re- lation between the two qualities distinguished . These two qualities are parallelism of meaning and parallelism of sound . Perhaps it is ...
Inhoudsopgave
PART ONE MODERN VIEWS AND PRACTICAL ADVICE | 3 |
Metaphor and Other Figures of Speech Herbert Read | 23 |
Archibald A Hill | 35 |
Copyright | |
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Addison adjectives antithesis aphorisms aphoristic Bacon balance better called century Ciceronian clauses clear comma course criticism D. H. Lawrence definition discourse effect elements Elizabethan Elizabethan prose emotion emphasis English prose essay Euphuism example expression fact feel fiction Gertrude Stein give Hazlitt Herbert Read ideas Idler implicit parallel Johnson JOSEPH ADDISON kind L. C. KNIGHTS language linguistic literary literature logic matter meaning metaphor method MICHIGAN mind modern Nashe nature never nouns novels paragraph passage perhaps period periphrasis phrase poet poetic poetry precise proposition Prose Style qualities Rambler reader reason relation rhetoric rhythm Robert Graves Samuel Johnson Senecan Senecan style sense sentence sound speak Spectator speech Stendhal Stoic structure student STUDY AND WRITING stylistic SUGGESTIONS FOR STUDY syntactical syntax tence thing tiger tion tone University verbs vocabulary whole WILLIAM HAZLITT words written York