Imagination and Fancy: Or, Selections from the English Poets, Illustrative of Those First Requisites of Their Art; with Markings of the Best Passages, Critical Notices of the Writers, and an Essay in Answer to the Question, "What is Poetry?"Wiley and Putnam, 1845 - 255 pagina's |
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Pagina viii
... kind , or such as exhibits the imagination and fancy in a state of pre- dominance , undisputed by interests of another sort . Poe- try , therefore , is not here in its compound state , great or otherwise ( except incidentally in the ...
... kind , or such as exhibits the imagination and fancy in a state of pre- dominance , undisputed by interests of another sort . Poe- try , therefore , is not here in its compound state , great or otherwise ( except incidentally in the ...
Pagina 4
... kind belongs to him , pro- vided it can bud into any kind of beauty , or is capable of being illustrated and impressed by the poetic faculty . Nay , the sim- plest truth is often so beautiful and impressive of itself , that one of the ...
... kind belongs to him , pro- vided it can bud into any kind of beauty , or is capable of being illustrated and impressed by the poetic faculty . Nay , the sim- plest truth is often so beautiful and impressive of itself , that one of the ...
Pagina 5
... kind in Warner , an old Elizabethan poet , than which I know nothing sweeter in the world . He is speaking of Fair Rosamond , and of a blow given her by Queen Eleanor . With that she dash'd her on the lips , So dyed double red : Hard ...
... kind in Warner , an old Elizabethan poet , than which I know nothing sweeter in the world . He is speaking of Fair Rosamond , and of a blow given her by Queen Eleanor . With that she dash'd her on the lips , So dyed double red : Hard ...
Pagina 6
... kind , not only meets but surpasses in its effect the extremest force of the most particular description ; as in that exquisite passage of Coleridge's Christabel , where the unsuspecting object of the witch's AN ANSWER TO THE QUESTION.
... kind , not only meets but surpasses in its effect the extremest force of the most particular description ; as in that exquisite passage of Coleridge's Christabel , where the unsuspecting object of the witch's AN ANSWER TO THE QUESTION.
Pagina 7
... kind surpassing the most lovely inclusion of physical beauty in moral , neither can I call to mind any instances of the imagination that turns accompaniments into accessories , superior to those I have alluded to . Of the class of ...
... kind surpassing the most lovely inclusion of physical beauty in moral , neither can I call to mind any instances of the imagination that turns accompaniments into accessories , superior to those I have alluded to . Of the class of ...
Overige edities - Alles bekijken
Imagination and Fancy: Or, Selections from the English Poets, Illustrative ... Leigh Hunt Volledige weergave - 1845 |
Imagination and Fancy: Or, Selections from the English Poets, Illustrative ... Leigh Hunt Volledige weergave - 1845 |
Imagination and Fancy: Or, Selections from the English Poets, Illustrative ... Leigh Hunt Volledige weergave - 1845 |
Veelvoorkomende woorden en zinsdelen
Ariel auld Beaumont and Fletcher beauty Ben Jonson bless breath bright Burns's Caliban character charm Chaucer dear death delight divine doth dream earth Ellisland eyes Faerie Queene fair fairy fancy fear feeling flowers frae genius grace hand happy hath head hear heard heart heaven Hector Macneil hour human imagination inspired knew labor lady light live look lord Lycidas Macbeth melancholy Milton mind mirth moon moral morning Mossgiel muse nature never night noble o'er OBERON passage passion perhaps pity pleasure poem poet poet's poetical poetry poor pride rhyme Robert Burns round Scotland Shakspeare sing sleep song soul sound Spenser spirit stanza sugh sweet Sycorax Tamburlaine tears tell thee Theoph things thou art thought TITANIA tree truth verse voice wanton Whyles William Burnes wind witch wood words young youth