The Subject of ModernityCambridge University Press, 19 mrt 1992 - 316 pagina's The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Our own self-styled postmodern age has seen no end to this debate, which now receives a major and wide-ranging intervention from the theorist and critic Anthony J. Cascardi. Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, he carries his argument across the fields of epistemology, literature, political science, religion and psychology. The modern subject proves to be positioned within conflicting discourses, in a culture characterised by its 'detotalised totality'. Max Weber's concept of 'world disenchantment' enables Cascardi to make a searching critique of modernity's sense of its absoluteness, divorced from an archaic, 'enchanted' world. He advocates in its place a more fruitful relationship between historical analysis and theoretical speculation, offering constructive new alternatives to current orthodoxy regarding subjectivity and modernity. |
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Pagina 13
... achieved through some external operation performed upon it . The radical character of this operation is rooted in the primary fact of disenchantment - that the essential order of nature has been withdrawn . For this same reason , the ...
... achieved through some external operation performed upon it . The radical character of this operation is rooted in the primary fact of disenchantment - that the essential order of nature has been withdrawn . For this same reason , the ...
Pagina 15
... achieved through the reintroduction of a principle of judgment that is itself neither historical nor theoretical but " aesthetic " in the sense that it provides models for moving among the various categories that the culture of ...
... achieved through the reintroduction of a principle of judgment that is itself neither historical nor theoretical but " aesthetic " in the sense that it provides models for moving among the various categories that the culture of ...
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Pagina 61
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Inhoudsopgave
The disenchantment of the world | 16 |
Modes of rationalization | 41 |
Selfhood and subjectivity | 56 |
The theory of the novel and the autonomy of art | 72 |
Epic and novel | 94 |
The autonomy of art | 103 |
Secularization and modernization | 125 |
norms and ideals | 140 |
The subject and the State | 179 |
Reorientation in ethics | 202 |
Legitimation and representation | 221 |
Subjective desire | 228 |
Subjective desire and social change | 240 |
recognition and transformation | 259 |
Possibilities of postmodernism | 275 |
Aesthetic liberalism | 296 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absolute abstract aesthetic Alasdair MacIntyre analysis antinomies argued attempt authority autonomy becomes belief Blumenberg Cambridge Cartesian Cervantes charismatic charismatic authority claims concept consciousness constitutes context critical critique culture of modernity demand for recognition Descartes described discourse disenchanted disenchantment Don Juan Don Quixote enlightenment epic ethical existence experience expression fact fiction freedom Guenther Roth Habermas Hegel historical Hobbes Hobbes's Hobbesian human ideals individual insofar interpretation judgment Kant Kant's language-games legitimacy legitimation Leo Strauss Leviathan liberal Lukács Lyotard MacIntyre Max Weber modern age modern world modes moral nature norms novel object Pascal Pensées Phenomenology of Spirit philosophy political position possible postmodern principle problem psychological rational realm reason recognize reflection relationship religion religious remains representation rhetoric Roberto Mangabeira Unger Rorty secularization seen self-consciousness social society Spirit Stanley Rosen structure theory traditional trans transcendent transcendental transformation truth University Press values virtue Weber world picture York