Studies in Philology, Volume 18,Nummer 2,Pagina's 79-128University of North Carolina Press, 1921 |
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Pagina 77
... present themselves to the literary historian seeking a name for the new kind of style that came into general use in Latin and all the vernacular languages at the end of the sixteenth century . ' ' Anti - Ciceronian prose ' has the merit ...
... present themselves to the literary historian seeking a name for the new kind of style that came into general use in Latin and all the vernacular languages at the end of the sixteenth century . ' ' Anti - Ciceronian prose ' has the merit ...
Pagina 78
... present time , however , for this purpose , without a full and clear explanation of the meaning attached to it could only cause positive misunderstanding or utter confusion . For it is a word that has suffered vicissitudes . In current ...
... present time , however , for this purpose , without a full and clear explanation of the meaning attached to it could only cause positive misunderstanding or utter confusion . For it is a word that has suffered vicissitudes . In current ...
Pagina 81
... present time for the purpose of identification must explain what he means by it . If this involved an attempt to discuss the many questions still in controversy among the classicists , or to adjust the relations of the various ancient ...
... present time for the purpose of identification must explain what he means by it . If this involved an attempt to discuss the many questions still in controversy among the classicists , or to adjust the relations of the various ancient ...
Pagina 86
... present ; what For the relation between the ideas of Plato and those of the Rhetoric see Cope , Gorgias , xv - xxvi , and Hendrickson , Origin and Meaning of the Characters of Style , Amer . Journal of Phil . , XXVI , 249-251 . + ' On ...
... present ; what For the relation between the ideas of Plato and those of the Rhetoric see Cope , Gorgias , xv - xxvi , and Hendrickson , Origin and Meaning of the Characters of Style , Amer . Journal of Phil . , XXVI , 249-251 . + ' On ...
Pagina 90
... present , either act or in idea , at court , and the most striking opportunities for ary.distinction were offered at the constant gatherings , public emi - public , more or less formal , which attended its various nonies and progresses ...
... present , either act or in idea , at court , and the most striking opportunities for ary.distinction were offered at the constant gatherings , public emi - public , more or less formal , which attended its various nonies and progresses ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
ancient Anti Anti-Ciceronian antiquity aphorisms Aristotle Aristotle's Asian associations authority Bacon Balzac beauty brevity Brutus Cæsar characteristic characters of style chiefly Cicero Ciceronian classical concettismo controversy criticism culture customs Demosthenes describes dialogue dicendi Diogenes Laertius discourse discussion effect eloquence Enthymemes Epictetus essay-style exactly expression fact Fénelon figures of sound form of style genera genus humile Gorgias Gracian Greek Hendrickson ideas imitation influence Isocratean Isocrates l'Eloquence later Latin leaders Lettres Provinciales Lipsius literary literature Lucan Malebranche meaning Méré metaphor mind modern modes Montaigne moral movement Muret observe orator oratorical style Pascal passage period phases philosophical Plato Plutarch political practise prose-style purpose relation Renaissance rhetorical theory Roman says schools of declamation Seneca and Tacitus sensuous seventeenth century silver-age sixteenth century Socrates sophistic Stoic rhetoric Stoic style Stoicism tastes Tertullian theory of style tion tradition true truth type of oratory Velleius Paterculus virtue writings
Populaire passages
Pagina 82 - The oratorical style was distinguished by the use of the schemata verborum, or ' schemes/ as we may call them, which are chiefly similarities or repetitions of sound used as purely sensuous devices to give pleasure or aid the attention. The essaystyle is characterized by the absence of these figures, or their use in such subtle variation that they cannot easily be distinguished, and, on the other hand, by the use of metaphor, aphorism, antithesis, paradox, and the other figures which, in one classification,...
Pagina 116 - A style appropriate to the mind of the speaker, therefore, is one that portrays the process of acquiring the truth rather than the secure possession of it, and expresses ideas not only with clearness and brevity, but also with the ardor in which they were first conceived. It is no more a bare, unadorned, unimaginative style than the oratorical style is; it aims, just as oratory does, to move and please, as well as to teach, but is distinguished from oratory by the fact that it owes its persuasive...
Pagina 88 - But the genus as a whole is properly characterized by its origin in philosophy. Its function is to express individual variances of experience in contrast with the general and communal ideas which the open design of the oratorical style is so well adapted to contain.
Pagina 97 - Malvezzi, and other masters of the 'conceit'; or even of tendencies of the same kind that we may observe in writers so normal as Lipsius, Bacon, Balzac, and Browne. There is a kind of Asianism, in short, that arises from a constant effort to speak with point and significance, as well as from an excessive use of the ornate figures of sound, from too much love of expressiveness as well as from the cult of form; and inasmuch as this vice was more familiar to the reformers at the end of the century than...
Pagina 114 - ... golden sayings," dicta, maxims, aphorisms, sententiae. Chrysippus, working perhaps on hints received from Pythagoras, gave directions for the manufacture of sententiae, and the use of them in moral discipline, directions which are familiar to modern readers through Bacon's reproduction and expansion of them in his De Augmentis, unhappily without due credit given to his predecessor.4* It is not enough to say of Stoic style that it tends toward brevity.
Pagina 112 - But the kind of truth that the Stoics chiefly had in mind was moral and inward. It was a reality not visible to the eye, but veiled from common observation; hidden in a shrine toward which one might win his way, through a jostling, noisy mob of illusory appearances, by a series of partial initiations. This kind of reality can never be quite portrayed of course, because ultimate knowledge of the mystery of truth is never attained. But it is at least possible to depict the effort of the athletic and...
Pagina 91 - But it is also true of the many kinds of style due to the survival of medieval educational customs and social modes: the forms of preaching-style, for instance, that were prevalent until after the middle of the century, both in Latin and the vernacular; the style employed in letters composed for social display or amusement; the aureate style affected by those accustomed to Renaissance courtly ceremony, as in the showspeeches of knights in tournaments, or in begging or complimentary addresses to sovereigns;...
Pagina 84 - round composition " and the " even falling of its clauses " do not always satisfy the inward ear of the solitary reader. Heard solely by the reflective mind, it is an empty, a frigid, or an artificial style. But it is not meant for such a hearing. It is addressed first, like music, to the physical ear ; and the figures with which its large and open design are decorated have been devised with a reference to the attentive powers and the aural susceptibilities of large audiences...
Pagina 123 - Seneque, as he was called — exercised a stronger power of attraction over the most representative minds than St. Augustine, who is the Cicero and the Ciceronian of patristic Latin. These are the great names. But the movement of imitation and rehabilitation extended the broad mantle of its charity over minor works which have not at any otHer time been well regarded by the modern world. Velleius Paterculus...
Pagina 98 - Ciceronian eloquence for something "masculine" and of his own desire for a "more masculine" style. Ciceronian copia in these discussions is both effeminate and the style of a more prodigal youth, to be outgrown once one had become a man: "I used to imitate [Cicero]," writes Lipsius; "but I have become a man, and my tastes have changed. Asiatic feasts have ceased to please me; I prefer the Attic.