Studies in Philology, Volume 18,Nummer 2,Pagina's 79-128 |
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Pagina 95
This is the general attitude of the leaders of opinion in the first half of the century . In the second half it is not changed , but , on the contrary , is more clearly defined . Bayle speaks of the faux éclat of oratory .
This is the general attitude of the leaders of opinion in the first half of the century . In the second half it is not changed , but , on the contrary , is more clearly defined . Bayle speaks of the faux éclat of oratory .
Pagina 96
We think of the tumor , the exaggerated emphasis , the monstrous abuse of metaphor in the preaching of the first half of the century in all the European countries ; or of qualities dangerously related to these in the non - oratorical ...
We think of the tumor , the exaggerated emphasis , the monstrous abuse of metaphor in the preaching of the first half of the century in all the European countries ; or of qualities dangerously related to these in the non - oratorical ...
Pagina 101
In the first half of the " See Balzac , De la Grande Eloquence , Works 1665 , vol . 2 , pp . 518f . , and the works of Naudé , passim . " See E. Mérimée , La Vie et les Oeuvres de .
In the first half of the " See Balzac , De la Grande Eloquence , Works 1665 , vol . 2 , pp . 518f . , and the works of Naudé , passim . " See E. Mérimée , La Vie et les Oeuvres de .
Pagina 102
The actual style of de Méré does not differ in kind from that of St. Evrémond , for example , which was formed in the " libertine " school of the first half of the century and " corrected " by the new mondanité of the second .
The actual style of de Méré does not differ in kind from that of St. Evrémond , for example , which was formed in the " libertine " school of the first half of the century and " corrected " by the new mondanité of the second .
Pagina 108
... combine with the magnificence of oratory to advantage , and the bizarre effects so common in the sermons and panegyrics of the first half of the century are the monstrous births that proceeded from the unnatural union between them .
... combine with the magnificence of oratory to advantage , and the bizarre effects so common in the sermons and panegyrics of the first half of the century are the monstrous births that proceeded from the unnatural union between them .
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actually ancient Anti-Ciceronian appears appropriateness Aristotle associations Attic authority Bacon Balzac beauty beginning Book Bossuet brevity called chapter character characteristic chiefly Cicero Ciceronian classical clear concerned considered controversy course criticism culture customs Demosthenes describes discussion distinguished earlier effect exactly expression fact figures followers genus humile Gorgias greater Greek half hand ideas imitation important influence interesting interpretation Isocratean Italy kind later Latin leaders least letter Lipsius literary literature manner meaning mind modes Montaigne moral movement nature object observe opposition orator oratorical style oratory original passage perhaps period phases philosophical Plato political popular practise preference present probably prose prose-style reason relation Renaissance representative rhetoric Roman says schools Seneca served seventeenth century social Socrates sound speak statement Stoic style Tacitus taken tastes tended theory thing thought tradition true truth usually virtue writings
Populaire passages
Pagina 82 - The oratorical style was distinguished by the use of the schemata verborum, or ' schemes/ as we may call them, which are chiefly similarities or repetitions of sound used as purely sensuous devices to give pleasure or aid the attention. The essaystyle is characterized by the absence of these figures, or their use in such subtle variation that they cannot easily be distinguished, and, on the other hand, by the use of metaphor, aphorism, antithesis, paradox, and the other figures which, in one classification,...
Pagina 116 - A style appropriate to the mind of the speaker, therefore, is one that portrays the process of acquiring the truth rather than the secure possession of it, and expresses ideas not only with clearness and brevity, but also with the ardor in which they were first conceived. It is no more a bare, unadorned, unimaginative style than the oratorical style is; it aims, just as oratory does, to move and please, as well as to teach, but is distinguished from oratory by the fact that it owes its persuasive...
Pagina 88 - But the genus as a whole is properly characterized by its origin in philosophy. Its function is to express individual variances of experience in contrast with the general and communal ideas which the open design of the oratorical style is so well adapted to contain.
Pagina 97 - Malvezzi, and other masters of the 'conceit'; or even of tendencies of the same kind that we may observe in writers so normal as Lipsius, Bacon, Balzac, and Browne. There is a kind of Asianism, in short, that arises from a constant effort to speak with point and significance, as well as from an excessive use of the ornate figures of sound, from too much love of expressiveness as well as from the cult of form; and inasmuch as this vice was more familiar to the reformers at the end of the century than...
Pagina 114 - ... golden sayings," dicta, maxims, aphorisms, sententiae. Chrysippus, working perhaps on hints received from Pythagoras, gave directions for the manufacture of sententiae, and the use of them in moral discipline, directions which are familiar to modern readers through Bacon's reproduction and expansion of them in his De Augmentis, unhappily without due credit given to his predecessor.4* It is not enough to say of Stoic style that it tends toward brevity.
Pagina 112 - But the kind of truth that the Stoics chiefly had in mind was moral and inward. It was a reality not visible to the eye, but veiled from common observation; hidden in a shrine toward which one might win his way, through a jostling, noisy mob of illusory appearances, by a series of partial initiations. This kind of reality can never be quite portrayed of course, because ultimate knowledge of the mystery of truth is never attained. But it is at least possible to depict the effort of the athletic and...
Pagina 91 - But it is also true of the many kinds of style due to the survival of medieval educational customs and social modes: the forms of preaching-style, for instance, that were prevalent until after the middle of the century, both in Latin and the vernacular; the style employed in letters composed for social display or amusement; the aureate style affected by those accustomed to Renaissance courtly ceremony, as in the showspeeches of knights in tournaments, or in begging or complimentary addresses to sovereigns;...
Pagina 84 - round composition " and the " even falling of its clauses " do not always satisfy the inward ear of the solitary reader. Heard solely by the reflective mind, it is an empty, a frigid, or an artificial style. But it is not meant for such a hearing. It is addressed first, like music, to the physical ear ; and the figures with which its large and open design are decorated have been devised with a reference to the attentive powers and the aural susceptibilities of large audiences...
Pagina 123 - Seneque, as he was called — exercised a stronger power of attraction over the most representative minds than St. Augustine, who is the Cicero and the Ciceronian of patristic Latin. These are the great names. But the movement of imitation and rehabilitation extended the broad mantle of its charity over minor works which have not at any otHer time been well regarded by the modern world. Velleius Paterculus...
Pagina 98 - Ciceronian eloquence for something "masculine" and of his own desire for a "more masculine" style. Ciceronian copia in these discussions is both effeminate and the style of a more prodigal youth, to be outgrown once one had become a man: "I used to imitate [Cicero]," writes Lipsius; "but I have become a man, and my tastes have changed. Asiatic feasts have ceased to please me; I prefer the Attic.