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DWIGHT'S

JOURNAL OF MUSIC,

A Paper of Art and Literature.

JOHN S. DWIGHT, EDITOR.

VOLS. XXXV AND XXXVI.

BOSTON:

PUBLISHED BY OLIVER DITSON AND COMPANY, 451 WASHINGTON STREET,

1877.

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Alberti, Domenico: his Sonatas..
Allen, B. D., his Musical Lectures..
Ambros, A. W. Translations from his Bunte
Blaetter, 206, 273, 280, 288, 297; his Life
and Death..
American College of Music: a New York
Millionaire's scheme......32, 53, 63, 96, 152
Apollo Club, in Boston, 176. (See CONCERTS.)
Art ennobling, from Lessing's "Laocoon,"
54; in America (S. Osgood's Address on
Crawford)..

....

67 267

Art Museum, in Boston, opening of.
Auber, Last Days of, 60; Monument to......405

75

Bach, C. P. E. His Piano Sonatas.. Bach, J. S. In Soho (Guardian,) 3; his Work in Leipzig, 196; new interest for in London, 198; his Organ Music (H. H. Statham), 73, (J. Higgs), 282, 290; Orchestral Suites, 389; Piano Music, Suites, etc., 75; Do., Herr Pauer's Lecture on, 219; Concertos, 351, 390; Transcriptions for Piano from his Violin Sonatas and Cantatas, by Saint-Saëns, 213; Cantatas: "Gottes Zeit," etc., 3; "Ich hatte viel Bekuemmerniss," in Boston, 206, 207; Magnificat in D, in Cincinnati, 26, in Boston, 198; described by Robert Franz, 185; his St. Matthew Passion Music, in Boston, 222; Mass in B minor......237, 244 Balfe: his "Talisman,". 24 Baltimore: Peabody Institute Concerts.136, 253 Bands, and Theatre Orchestras, (J. S. D.)...326 Bargiel: his Overture to "Medea,".....190, 390 Barnett, John Francis; his "Ancient Mariner,' Bayreuth: Wagner Festival,....23, 71, 90, 92, 101, 257, 264, 286, 287, 292, 294, 206, 29a, 302, 306, 309, 310, 313, 320, 322, 324, 325, 329, 337. 397 Beauty, Religion of, ( J. S. D. in Dial. 1840), 9 Beethoven: his Piano Sonatas, 15. 30; played

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.247

by Buelow, 215, 318, 358; 9th Symphony, at Cincinnati, 26; (Crystal Palace), 370; Eroica, 134; Concerto for Piano, 358; Sextet, with two horns 143, 150, 367; Septet (at Cambridge), 382; Serenade, op. 8, arr. for Orchestra,.. ...399, 407 Beethoven: M. Taine on, 29; a pilgrimage to (R. Wagner), 43, 49; Notes on, from A. W. Thayer, 95; a "Seventh Concerto" by, 146; his Birthday at Crystal Palace Concerts in London, 370; his “Pastorale" illustrated,..

Bellini's Remains,.

Belocca, Anna,..

.412 ..331 .29. 71, 317,

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New Brighton, Staten Island, N. Y... New Haven,..

..400

Chicago, 15, 39, 128, 131, 140, 215, 244, 256, 280, 344, 359

365, 390, 406

Cinctumati,..

Detroit,..

.304 .48, 279

359, 375

..169

.124, 125 367, 374

New York, 7, 16. 23, 31, 48, 55, 64. 79, 93, 103, 119, 127, 131, 141, 143, 159, 184, 191, 205, 224, 245, 318, 327, 335, 343, 351, 375, 389, 415 Paris,

143

Philadelphia,.......................

224, 255, 263, 271, 272, 280, 304, 317

Vienna...

Windsor Locks, Conn................

189 ........319 328, 335 .67

69

Cambridge (Eng.), Oxford, and Music,.
Cary, Miss Annie Louise,.
.247
Cappiani, Signora Kapp-Young,.
.319, 374
Cecília, The: Choral Society in Boston,
142, 174, 207, 382
Centennial Cantata, The: Mr. Lanier's Ex-
planation,...
.242, 255, 261
Centennial Music, The, at Philadelphia,. ..238
242, 255, 261, 271, 317
Central Park Garden Concerts in N. Y.
31, 79
Cherubini: his "Water-Carrier" in London,
138; Overture to "Ali Baba," 343; to "Lo-
doiska," 350; Requiem for Male Voices, 254
Chickering and Sons: their new Concert
Hall in New York,..
their 50,000th piano,.

Chimes, The, of Potsdam,
Choir Boys in New York, Sun,..
Chopin: his music Autobiographical (Fr.
Niecks), 66; C. and Liszt (from Ch.
Rollianal),.

Worcester, Mass.,.

Crawford, Thomas, and Art in America, (S. Osgood, D. D.),.. Creating the Sound, Mus. Trade Review, .339 Cristofori, Bartolomeo; supposed inventor of the Pianoforte,......137; Centennial at Mantua,....126; at Florence,. ..274

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143, 150, 182 .47, 167, 254, 359, 407 .118, 125, 174, 214 Cecilia, The, Schumann's "Paradise and Peri" 7; Gade's "Crusaders," &c.,.. Cirillo, Sig. V. and pupils,.. College of Music of Boston University,.......142. 214 Essipoff, Mme. Annette,.. 358, 407, 414 Fay, Miss Amy, at Cambridge, 175; at Mechanics Hall,.. 214 Foster Club,. ..247, 391 Gaëtano, Miss Nita: Complimentary to........407, 415 Handel and Haydn Society: Haydn's "Seasons" 6, 22; "Elijah" with Tietjens, 127; "Messiah" and "Creation" at Christmas, with Tietjens, 150, 158; Easter performances; Bach's Passion Music, Mendelssohn's "Hymn of Praise" and Rossini's Stabat Mater with Tietjens; "Joshua" with Mme. Van Zandt, &c., 222, 230. "Messiah" at Christmas,. .366 Harvard Musical Association : One Hundred Symphony Concerts, 14, 22; Eleventh Season, 127," 134, 142, 158, 167, 174, 183, 190, 199, 206 207: Twelfth Season, 342, 350, 357, 366, 372, 374, 390, 398, 406, 415 Lang, B. J. Chamber Concerts,.. Leonhard, Hugo: Piano Recitals, Mendelssohn Quintette Club,... New England Conservatory, Ole Bull,...

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Orth, John, at N. E. Conservatory,. Osgood, Geo. L. and F, Boscovitz: Historical Concerts, 6. 31; with Perabo, et al., and Chorus. 239 Parkhurst, H. E. Organ Recitals,.. .279, 327 Perabo, Ernst: Piano Matinées, 135, 151, 175, 335, 391 Phillipps, Misses Adelaide and Matilda,. ..406 Sanders Theatre, Cambridge,.....350, 367, 382, 391, 399 .15; Schiller, Mme. Madeline; Piano Recitals,.. Complimentary to..... .383, 407 Sherwood, Mr. and Mrs. W. H. 318, 359, 374, 390, 407 Thayer, Eugene; Organ Recitals,.. ..319 Thomas, Theodore: Örchestral Concerts, 135, 151, 167, 175, 182, 190, 198, 199, 207; 342, 350 (Cambridge)... Tietjens, Mme., and Arabella Goddard,.. Tucker, H. G. Piano and Vocal Concert,......30, 231. Welsh, Miss Ita... ...335 Corey's Hill a Park for Boston, A. W. T.......39 CORRESPONDENCE.

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English Ancestors. Our, Glimpses of, Brighton Herald,.. ..163 English Opera, what is it, Lond, Mus. Stand. 330 Essipoff Mme. Annette, the Russian Pianist, 312, 334; (Mus. Trade Rev.) 319; in Boston,... ..358, 407, 413, 414 Esterhazys, The, and Haydn, C. F. Pohl, .225, 233, 241, 249 Examinations, Musical, at Harvard College, 103 "Excellent Art of Musick," The, Dr. John Blow,.... Executants and Editors. E. Dannreuther, in Concordia,.. 33, 109

..110

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.287 .309

.268

392, 406; to "Alceste," 182; his Religious Cantata "Le Judgment Dernier". ...190

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Handel: Notes on a few of his Operas, 153;

.262

..399

388

his 'Messiah," 230; Notes on, by J.
Crowdy, 148, 155; Franz's accompani-
ments to, 356, 366; his "Hercules," 59;
"Esther" 138; "Joshua", 213, 230;
"Susanna".....220; his "Theodora" in
Portland, Me., 236; "Solomon".
Handel and Haydn Society (Boston): Its
President's annual report, and its early
history, 55, 61, Annual meeting, 247;
Repertoire from 1815 to 1876, 248; Fes-
tival Programme for May, 1877..
Hanslick, Dr. Edward: From his Critical
writings: on Auber, 60; on the Grand
Opera, Paris,....81; on Wagner's Tril-
ogy and Bayreuth Festival, 310, 324, 329;
on Christine Nilsson..
Harris, Horatio: In Memoriam, (J. S.)......195
Harvard Musical Association: 100 Symphony
Concerts and their Programmes,......14, 22
Harvard University: its Musical Professor-
ship, 78, 94, its musical examinations,
103; its new Sanders Theatre and Con-
certs,
...260, 350, 382, 391, 399
Hauk, Miss Minnie, in Opera Abroad,.......371
Hauptmann, Moritz: his Canons for three
Soprano Voices, 207; Sentences from
his Letters,
Haydn: his Symphonies,......142, 191, 407;
H. and Boccherini,..400; his "Seasons"
6, 22; New life of, by. Polil, 221, 369, 393;
H. with the Esterhazys, from Pohl's
Biography,....
225, 233, 241, 249
Helmholtz, Prof., On the Quality of Sounds
(W. S. B. Mathews,)......85; Practical
Bearing of his Discoveries (Do.),.........91
Henselt, Adolph....

..334, 400

Hiller, Ferd., on Verdi's Requiem, 106; his

168

"Musical and Personal" reviewed, 345;
Sentence from, 401; new Symphony by..409
Historical Concerts, by G. L. Osgood and
F. Boscovitz,...
.6, 31

History of Music: Prof. Ritter's....109, 203, 416
Home Music, as it is and might be, Liesure

Lindau, Paul: his "Temperate Letters from
Bayreuth,".
.820, 325
Listening to Music (W. G. McNaught).. ..201
Liszt and Robert Franz: Letter from A.
Kreissmann..
78

Liszt. Franz: in Leipzig, 123; at a Matinée,
277; what Schumann said of him 368;
his "Benediction of God in Solitude,"
15; his "Prometheus," 27, 123, 207;
Liszt and Chopin, 154; his "Christus
in New York, 196; his "Mignon's Song,'
374; Liszt described by Le Charivari....371
Local Orchestras, their Importance.....318, 392
London " Monday Popular" Concerts for
1877, London Times..

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Macfarren, G. A. His Oratorio "The Res-
urrection,"

139; Do., in Atlantic, 294; Maecenas in
New York, 152; Works in Boston Pub-
lic Library, 171; Artists and their Art
(Joseph Bennett), 194; Hyper-Criticism,
200; Libraries (Atlantic), 208; Juggler-
ies (London Musical Standard), 258;
"Musical Water-pest." The, from A. W.
Ambros, 266, 273, 281; Form, Ouseley
on (W. S. B. Mathews), 305; Pitch: Let-
ter from Sims Reeves, 332; Terms, Stain-
ers's Dictionary of, 376; Piano-playing,
(Mathews,)..

Musical Professorship: at Cambridge, Engl.,
3; at Harvard University, 78, 94; Doc-
tors, how made, 69; Degrees (London
Concordia)

Mendelssohn's "First Walpurgis-

...404, 410

Musica Peripatetica...

MUSIC IN VOL. XXXV:

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Male Part-Songs..

.176, 359

Night."

Mammoth Wagner College Scheme, in New
York..
.53, 63, 96, 152

No 22-26. Part-Songs by Schumann
Hauptmann.

Martial Music in Germany.

.177

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Mason, William: his Piano Recitals.
Massenet, Jules: his Cantata "Eve,”.
Materialism in Music...

Mendelssohn: his Place in Modern Music (H.
H. Statham), 161; his Birthday at Lon-
don Crystal Palace, 397; his "Son and
Stranger" in Boston.

.230
.224, 227
.144, 210

..188
.399

Mermet, A., his “Joan of Arc,"
Milan: Its Musical Students...
Minuet, Revival of the (N. Y. Tribune).
Mozart Club in New York..
Mozart: Continuations of his 'Zauberflote"
(J. Sciler), 19; from a Physical and Mor-
al point of view, by V. Wilder, 42; Com-
plete edition of his works, 248, 284; M.
in Italy (Cornhill Magazine), 276; what
Hauptmann wrote of him...
Mueller, Theodor: Obituary, Berlin Echo....152

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Hour,...

.75

Cologne.

Honi soit qui mal y pense: a story of Paris-
ian Life,.

Dijon..

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.48

Düsseldorf.

Horsley, Charles Edward: Obituary
"Howling Wolves" &c., Mr. Leonhard and
his Critics,..

..195

....

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Florence..

..301
.340

59

.274, 384
...356

.....368
.........331
..341

Leipzig. ..13. 123, 145, 189, 221, 248, 320, 340, 351, 373
Liverpool
..363

MUSIC IN VOL. XXXVI:

and

No. 1-26.Comala," by N. W. Gade.
Music: Pure, vs. Wagnerism (G. L. Osgood.)
4; Listening to, 201; of the Past, (Ser-
mon by Rev. Mr. Foote in King's Chap-
el), 13; its Pictorial Power (Macfarren),
57; at Oxford and Cambridge, 69; as a
Social Bore, 259; in Belgium (E. G.),
268, 315; as Commerce (Pall Mall Gaz.),
124; for the Blind, 148, 211, 348; for the
People (E. Thayer), 376; among the low-
er classes of Saxony and Prussia, 235;
Gregorian, 250; The Art safe (London
Times,) 303; a Plethora of, in Boston,
342: Modern Tendencies of (Hauptmann,
Hiller, et al.), 401; Past and Present, in
our cities. (N. Y. Times), 378, 405;
Abuse of (H. C. Lunn)..

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.402

.193

.270

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Old Dance Forms: Ernst Pauer's lecture on
Bach's piano music...
....219
Oldest Living Musician, The. ....122, 130
...341 Offenbach, in New York, 243; his "Fantas-
io," "Corsaire Noir," etc., described by
Ambros, 266, 273; his Book on Music in
America.
....276, 392
Opera Abroad: in London, 8, 10, 28, 34, 80,
87, 98, 107, 138, 205, 221, 237, 269, 277,
284, 317, 333, 339, 357, 296; in Berlin, 64,
371, 212, 218; in Italy, 384; Vienna, 189,
388; in Rome, 64; in Paris (Hanslick),
81; Do....
....146, 224, 227, 372, 408
372, 373, 405, 408 Opera: in Boston; (Tietjens), 199, 200; (Pal-
mieri, Phillipps, etc.), 223, 231 (Kel-
logg), 407, 410; (Mendelssohn's' Son and
Stranger,") 230; in New York, 8, 103,
127, 243, 318, 381, 392; in Chicago, 359;
in Baltimore, 136; in Philadelphia, 112.
263, 317, 336

London, 3. 8, 10, 19, 28, 34, 45, 80, 84, 87, 107, 111, 123,
138, 196, 19, 205, 221, 237, 252, 269, 277, 284, 317, 333,
339, 341, 352, 355, 357, 368, 370, 373, 384, 396, 397, 404
410. 412
Milan....
.144. 210
Paris, 5, 38, 81, 146, 190, 202, 221, 224, 226, 331, 352. 356,

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Musical Festivals: at Cincinnati, 7, 25, 30.
304; in Schleswig-Holstein, 68; at Wor-
cester, Mass., 116, 120, 328; at Aix-la-
Chapelle, 262; at Antwerp, 315; at
Bristol, Engl., 341. (See also under
Bayreuth and Wagner.)

MUSICAL INTELLIGENCE: [See also CORRES-

PONDENCE]:

Baltimore..

Cambridge, Mass.

Chicago.....

Cincinnati..............................

Detroit..

Germantown, Pa.......

Greenwich, R. I........

Lawrence, Mass..........

Litchfield, Conn..

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New York, 108, 133, 196, 228, 243, 287, 312, 334 336, 347,

236

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Philadelphia.....

349, 380, 381, 383. 388. 392
.112, 135, 221, 238, 263, 295, 336, 392

Portland, Me..

Poughkeepsie, N. Y.......

...........169, 400

Salem, Mass..

.....

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Springfield, m..

.391
........159

....

114

Toronto, C. W..

24

Lady Students at Milan....

Wellesley, Mass...

..210

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.....

.207. 232
Worcester, Mass......... .104, 111, 116, 120, 232, 327, 335
Musical Materialism, 46; Precocity, 76; Crit-
icism: C. K. Salaman's paper on, 132,

....

59
31

Opera: Mr. Dannreuther's views, 53; from
the Back (Arcadian). 288: English:
What is it? 330; Decent and Indecent,
336; the Rise of,
...377, 386, 395
Opera House: New National in London, 107;
M. Strakosch's scheme for New York...388
Operatic Companies. Boston Herald, 2;
Philosopher, the (Dr. Gauntlett)..
Oratorio: Recent Attempts at, in France...
Organ Music in Boston, 279; in New York,
48, 119, 245; in Chicago..40, 131, 280, 344, 406
Organs: in the Catholic Cathedral, Boston,
192; at Trinity Church, Boston...
.381
Orchestral Pitch and Tune. Concordia.... 65
Orchestras: Importance of a local one in
Boston, 318, 392; in Theatres, 326; in
Church Music..

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use..
Perkins Institution for the Blind: Director's
Report on Music......
.148, 211, 348
Peripatetic Character of our Orchestras,
Clubs, etc...
.270
Phillipps, Misses Adelaide and Mathilde, in
Opera...
.223, 231
Phillips, Henry: Obituary. Athenæum.. .354
Pianists as Advertising Agents....
.389
Piano-Forte. the: its Origin (G. A. Sala),
138; a "Reformed Key-board" for......141
Piano Practice: To Parents and Guardians,
H. C. Lunn, 82; Use of Slow, Mathews,
Pictorial Power of Music, The. G. A. Mac-
farren....

12

Pitch, Musical. Sims Reeves....
Plethora of Music, in Boston,..

.332
342

POETRY:

321, 402

57

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One by One (suggested by an incident in Haydn's

.265

life..
..409
Oriental Lyrics. Fanny Raymond Ritter...........
....105
Our Dead: Harvard Class of '32.
........121
Palestrina. Fanny Raymond Ritter.
..153
Samuel G. Howe. Memorial, Feb. 8, 1876- C. T.
Brooks
.177
"Sweet is the pleasure." J. S. D.................................
10
The Dancing Bear. J. R. Lowell..
The Hero (Dr. S. G. Howe.) J. G. Whittier........161
The Metamorphosis of Plants, from Goethe.
J. S. D.....
The Minstrel's Curse, from Uhland. C. T. Brooks.241

..... 80

To the Tone-Art. From C. F. D. Schubart, by
N. H. Dole........

The Musical Student. Lond. Mus. World...
The Pines and the Sea. C. P. Cranch..
The Source of Verse. C. T. Brooks...............
The Symphony. Sidney Lanier.....................
To a Lilac. T. W. Parsons...

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..361

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..193
.337

Rivé, Miss Julia, the Pianist, 15, 24, 140, 191,
216, 272, 304; her Style, Chicago Mus.
Review
.412
Rosa, Carl: his English Opera Company, 107,
317, 330, 339, 357
Rossi, Lauro: his Opera" Biorn".
.396
Roze-Perkins, Mme. Marie. Sat. Programme. 123
Rubinstein, Anton, 168;
his "
Maccabees,"
212; "Feramors." 239; Rubinstein in
London, 252; his Concerto in D minor,
253; Rubinstein as Opera, Oratorio and
Symphony Composer, Ambros, 289. 297;
his "Ocean" Symphony, 289, 401; "Par-
adise Lost," 297; Quartet in G minor,
359; what Hauptmann says of him.....401

Saint-Saëns, Camille: his "Danse Macabre,"
182; Piano Concerto, No. 2, in G minor,
183, 214, 406, 414; Concerto for Violon-
cello, 190; "Phaeton," Poeme Symphon-
ique, 199; Variations for two pianos on
a theme by Beethoven, 213, 351; Tran-
scriptions from Sonatas, Cantatas, etc.,
of Bach for piano, 213; Trio in F, op. 18,
214; "Le Deluge

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Varesi, Mlle. Elena.....
Vassar College Concerts.

29

..400

..171

.201

Vocal Art: Mme. Seiler's School in Phila-
delphia...

Verdi: his Requiem, 106; "Aida" in London.269
Violinists, Female..

..336

...295

"Sapphic Ode" of 1775, and Tune of "Bunk-
er Hill,".

Scholtz, Hermann.
Schopenhauer and Wagner..
Schubert, Franz: Nottebohm's Thematic
Catalogue of his works, 1; B. D. Allen's
Lecture on, 142; his Grand Duo, op. 140,
arranged as Symphony by Joachim, 158;
Symphony in C, 190; Overture to "Alfon-
so and Estrella."..

..357

Schumann, Mme. Clara, in London.....237, 410
Schumann, Robert: his "Faust" music, 114;
"Genoveva" at Leipzig, 145; his Piano
Quartets, 182; Concert Allegro, op. 134,
190; third Sonata, in F minor, 215; Can-
tata "The Singer's Curse," 263; " Co-
logne" Symphony, 398; "Overture,
Scherzo and Finale," 398; hls literary
works....

Seiler, Mme. Emma: her School of Vocal
Art in Philadelphia...
Sherwood, Mr. and Mrs. Wm. H. In Berlin,

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Slow Piano Practice. W. S. B. Mathews....321
Sonata Form, The: its History. W. A. Bar-
rett.
.66, 74
Sound: How to create it. Mus. Trade Rev..339
Spontini, Wagner's Reminiscences of (con-
cluded), 11; his "Vestale" in Rome..... 115
Strauss, Johann: his "Indigo" and "Carni-
val in Rome" described by Ambros.....281
Sussex "Whistling Song," The.. .163, 183

Wagnerian Flotsam and Jetsam, Lond. Mus.
World.....
Wagnerism, vs. Pure Music, G. L. Osgood, 4;
an Italian's Opinion....
Wagner, Richard: his Theories (Edinburg

Review), 178. 187; and Schopenhauer,
201; his reminiscences of Spontini, 11;
anticipated by Mehul, 21; his "Lohen-
grin" in London, 34; "Art Life and
Theories" of, translated by E. L. Burl-
ingame, 38; his "Pilgrimage to Beetho-
ven." 43, 49; his Method (Dr. Gauntlett),
45, 59; Festival and Nibelungen Trilogy
at Bayreuth, 71, 101, 250, 257, 286, 292,
294, 296, 298, 302, 306, 309, 310, 313, 320,
322, 324, 324, 329, 337, 397; his "Tristan
and Isolde," 98, 218; "Flying Dutch-
man," 333, 381, 410; his Farce, "A Capit-
ulation," 209; Centennial March, 221,
246; An Italian's Opinion, 397; Where
he has failed (Arcadian), 204; Compared
by F. Hiller to Napoleon III., 219; at the
N. York Philharmonic, 347; in the
Thomas Concerts, 389, 398; his Letter
on Gluck's Overture to “Iphigenia,'
385, 393; Hauptmann on his “Rienzi"
and "Tannhauser," 401; his Close Cor-
poration Opera Plan..

.264

.397

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400], are not to be found, and the ancient instruments. with the players thereon, have all returned to dust.

Volume Second describes the great creative, modern period of music, vocal, instrumental and "harmonic." It will add to the reputation of Prof. RITTER, and with the other constitute a series which should be in the hands of

every student of music. It is a most appropriate work to add to public libraries, and will be very convenient for reference in any musical family.

treatises, of various dates, [1615 to 1870] written in the The last pages contain the titles of nearly 500 musical Italian, Laun, German French or English language. The list may give an idea of the diligence of the compiler, who has explored this vast field, aud of the value of the result

of his labors.

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VOL. XXXV. No. 1.

New Music for April.d

VOCAL.

The Se-Side Kirk. 4. Eh to h Sunshine after Rain. 3. Ab to c. Thine Eves are like a Dream, Love. Duet. 4. Dio d.

Mine. Dolby. 30

Garty. 35 Solo or Pape. 30

Blumenschein. 35

A little Bird flew over the Sea. Autumn

Song. 4. F to g.

Jack and Gill. Song and Cho. 3. F to f. Beg. 30 Darling loved one, dream of me. 3. G to e.

Blake. 30

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Lecocq. 40 Days that are gone. (Chanson du Pastour). 3. F minor to g. Chilperic." 40 Will o' the Wisp. 3. G minor to g. Molloy. 40 Little Bright-eyes, will you miss me? Song and Chorus. 3. G to e. Danks. 30 The Better Land. 3. Eb to c. Gounod. 40 Dreams of Childhood. Song and Chorus. 2. Eb to e. Brockway. 40 Shepherd's Song. 4. Eb to g. Molloy. 40

INSTRUMENTAL.
A. B. C. Collection of Popular Waltzes.
Easily arranged by H. Maylath, ca. 25
No. 1. Students Ball. No. 2. Academic
Citizens. No. 3. Dividenden, etc.
La Fille de M'me Angot. Potpourri. 3. Wels. 75
Girofle-Girofla. Potpourri. 3. Cramer. 1.50
Winchester Storm March Galop. 4. Eb Pape. 30
Awfully Jolly. Galop. 3. G. Aronsen. 40
Impromptu Elegante. 4. G minor.

Shepherd and Shepherdess.
Madame l'Archiduc. Potpourri. 3.

Kaffenberger. 40 Idylle. 3. G. Jungmann. 35 Richardson. 40 3. Wels. 75 Fantasia.

Potpourri. Giroflé-Girofla. Fille de Mme Angot. 4 hands.

4. C.

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Centennial Chimes. Galop. 3. F. Milliken. 30
Brillant Arrangements. La Jolie Parfumeuse.
Waltz.
Glass Slipper Waltz.
Spring-time is coming. Waltz. 3. Zikoff. 60
Beauties of Ruy Blas. By Marchetti.
1. Fantasia Elegante. 4.
Grace et Coquetterie. Caprice Etude. 4. Ab
Boscowitz. 60

Beauties of Giroflé-Girofla.

No. 3. Waltz. 3.

Bucellotte, 60

Lecocq.

Strauss. 75

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4. Waltz. 3.

Knight. 30

66 5. Quadrille. 3.

Gungl. 40

8. Polka Redowa. 3. Ab

Knight. 30

BOOKS.

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Highly recommended by many distinguished mu sicians. Book 1st is now published in four separate numbers or parts, and contains theory and practice for the first mouths of study.

Price of Part 1, $1.50; of Part 2, $1.75; of Part

3, $1.50; and of Part 4, $1.50.

MUSIC BY MAIL.-Music is sent by mail, the expense being two cents for every four ounces, or fraction thereof about one cent for an ordinary piece of music. Persons, at a distance will find the conveyance a saving of time and expense in obtaining supplies. Books can also be sent at double these rates.

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