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French, terminal rimes in, 33; 225; | House of Fame, The, 206.

Alexandrine, 40, 225; dependence
upon rime, 177.

French verse, 248, 259.

How They Brought the Good News
from Ghent to Aix, 202.

Friar Bacon and Friar Bungay, Hugo, Victor, 173.

231.

Future, The, 194.

Il Penseroso, 206.

Gosse, Edmund, 144, 163, 173, 195, 263. Iliad, Pope's translation, 220.

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Homer, 40.

Homeric hexameter, 191.

Hood, Tom, 1, 13, 17, 33, 45, 53, 63, 67,
110, 119, 122, 246.

Hooker, Brian, 242.

Horace, 150, 260.

Jackdaw of Rheims, The, 204.
Jocosa Lyra, 76.

Johnson, Samuel, 222, 237, 238.
Jonson, Ben, 55, 176, 209, 213, 235.

Kalevala, the Finnish, 186.
Keats, John, 53, 119, 131, 139, 210, 222,
223, 241, 242, 258.

King Henry of Navarre, 94.

King James, 31, 47, 48, 196.

Kipling, Rudyard, 18, 40, 53, 66, 94,

106, 110, 195, 196.

La Farge, John, 2.

Lady Clara Vere de Vere, 94.

Lady of Shalott, The, 95, 119.

Lady of the Lake, The, 206.

Lamb, Charles, 181, 183.

Landor, W. S., 98, 126, 128, 178.

Mc Fingal, 205.

Men and Women, 185.
Merchantmen, The, 110.

Lang, Andrew, 88, 135, 152, 159 161, Meredith, George, 177.

162, 170.

Lanier, Sidney, 74, 87, 267.

Last Leaf, The, 122.

Meter, 31, 33.

Miller, Joaquin, 68.

Milton, John, 16, 32, 42, 43, 44, 78, 85,

Last Oracle, 120.

Latin dramatists, 227.

Latin hexameter, 40.

129, 133, 139, 190, 191, 206, 230, 236,

237, 238, 239, 240, 241, 247, 249, 254,
255, 259.

Latin lyrics, absence of rime in, Miss Blanche Says, 118.

177.

Mitchell, Weir, 186.

Latin rhythm the result of quantity, Monk's Tale, 112.

189.

Lemaitre, Jules, 170.

Lewis Carroll, 65.

Life and Death of Jason, 224.
Limerick, 144.

Lincoln, Abraham, 264.
Locker-Lampson, Frederick, 67, 247.
Long syllable, 18, 28, 189.
Longfellow, Henry Wadsworth, 13,
17, 18, 36, 39, 40, 77, 78, 95, 104, 113,
116, 120, 121, 122, 139, 140, 179, 180,
183, 186, 187, 188, 190.
Lope de Vega, 154.
Lost Love, 68.

Lounsbury, Professor T. R., 172.
Love among the Ruins, 75, 76.
Love and Age, 46.

Love's Labor's Lost, 212.
Love's Nocturn, 67, 123.

Lowell, James Russell, 10, 50, 62, 64,
119, 127, 137, 140, 173, 203, 204, 206,
209, 210, 216, 237, 246, 248.
Lüders, Charles Henry, 182.
Lyric poetry, 102.

Macaulay, T. B., 34, 38, 46, 94.

Mahoney, Francis, 120.

Maidenhood, 104.

Monogamous rimes, 71.
Monosyllables, 78.

Monotony, avoided by substitutions
and suppressions, 32.
Moore, Thomas, 117, 120.
Morris, William, 105, 210, 224.
"Musical Basis of Verse," 267.

Narrative poems, 102.
Nash, Thomas, 192.
Nature, Longfellow, 138.
"Nature and Elements of Poetry,
The," Stedman, quotation from, 8.
Newman, Cardinal, 185.
Nicholas Nickleby, 11.
Nine-line stanza, 119.
Norton, Caroline E. S., 227.
Nursery-rimes, 20, 39, 60.

O Captain! My Captain, 197, 255.
Octave, 131.

Ode to Duty, 253.
Odyssey, The, 135.

Old Clock on the Stairs, 95.
Omissions, 21.

Omond, T. S., 31, 266, 267.

On a Distant Prospect of Eton Col-
lege, 117.

On a Fan, 45.

On Himself, 126.

Marlowe, Christopher, 209, 212, 228, "On Translating Homer," Arnold,

Malayan pantoum, 173.

Marching Along, 23.

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"Philosophy of Composition," Poe, Rimeless verse, 33.

quotation from, 95.

"Physiology of Versification,"
Holmes, quotation from, 36, 267.
Plain Language from Truthful
James, 114.

"Plea for Certain Exotic Forms of
Verse," Gosse, quotation from,
144, 173.

Poe, Edgar Allan, 2, 26, 35, 50, 53, 58,
66, 67, 82, 83, 84, 87, 95, 96, 99, 119,
121.

Poetic License, 244, 251.
Polyolbion, 38.
Polysyllable, 80.

Pope, Alexander, 2, 32, 43, 71, 73, 78,
88, 125, 208, 209, 210, 213, 216, 217,
218, 219, 220, 221, 222, 226.
Poplar Field, The, 202.
Power of Short Words, 79.
Praed, W. M., 46, 153.
Prelude, 122.

Princess, 85, 181.

Prior, Matthew, 40, 256.

Prisoner of Chillon, The, 206.
Prodigals, The, 161.
Progress of Art, 222.

Prologue, 60.

Psalm of Life, 18.

Psalm of the Waters, 186.

Quantity, 14, 189.

Quatrain, 67, 106, 111, 126, 144.

Rape of the Lock, The, 220.

"Rationale of Verse," Poe, 26, 267.

Raven, 95, 97.

Ready for the Ride, 150.

Recessional, 94.

Romeo and Juliet, 233.
| Rondeau, 150, 153.
Rondel, 150.

Rose-Leaves, 147, 148.

Rossetti, Dante Gabriel, 58, 67, 123,
137, 142.
Roundel, 152.

Rubaiyat of Omar Khayyám, 107.
"Rules for writing verse," King
James, 31.

"Rules of Rhyme, The," Hood, quo-
tation from, 1, 246.

Sackville, George, 227.
Saga of King Olaf, The, 180.
Saintsbury, Professor G. E, 233, 240,

266.

Sapphics, 191.
Scansion, 17.
Schiller, 190.

Scorn not the Sonnet, 136.

Scott, Sir Walter, 25, 34, 36, 38, 39,
47, 58, 60, 66, 206, 208, 220, 264.
Seaweed, 77, 122.

Seneca, 227.

Serenade, 67.

Serenade at the Villa, A, 115.
Sestet, 131.

Sestina, 195.

Sestina of the Tramp Royal, 196.
Seven-line stanza, 123
Shakspere, William, 18, 19, 32, 41, 60,
79, 80, 84, 85, 88, 90, 129, 130, 139, 209,
212, 230, 232, 233, 234, 235, 236, 240,
241.

Shaksperian sonnet, 131.

Shelley, Percy Bysshe, 34, 38, 107,
109, 114, 210, 222, 224.

Recurrence of the same vowel- Shepherd's Calendar, 211.

sound, 87.

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Sherman, 98.

Shirley, James, 235.

Short syllables, 18, 28, 189.
Sibilants, 89.

Single rime, 50, 75.

Sisters, 95.

Six-line stanza, 121.
Skylark, 114.

Song without a Sibilant, 89.
Sonnet, 32, 125, 129.

Sonnet, The, 134.
Sonnet-sequences, 142.
Sordello, 224.

Sound and sense, 74.
Southey, Robert, 186, 198.
Spanish Gipsy, The, 192.
Spencer, Herbert, 28, 41.
Spens, Sir Patrick, 20.

Terminal trochee, 18.

Termination, natural, of rhythms

50.

Thalaba, 186, 198.
Thanatopsis, 242.

Theocritus, 159.

There, little girl, don't cry, 95.
Thirteen-line stanza, 120.
Thomson, James, 241.

Time I've lost in wooing, The, 117.

To a Mouse, 123.

To a Rose, 113.

To a Waterfowl, 109.

To an Old Danish Song-Book, 179.

Spenser, Edmund, 40, 118, 161, 209, To my mere English Censure, 213.

211.

Spenserian stanza, 118.

Spondee, 16.

Stanza, 102, 257.

Florence to Pisa, 108.

Statue and the Bust, 105.

To Violets, 111.

To Walt Whitman in America,

123.

Toccata of Galuppi's, A, 105.

Stanzas written on the Road from Tone-Color, 73.

Treble rimes, 47, 50, 63.
Trench, Richard C., 139.

Stedman, Edmund C., 8, 91, 198, Trente-six Ballades Joyeuses, 161.

263.

Trimeter, 17, 18, 186.

Stevenson, Robert Louis, 8, 100, Triolet, 146.

152.

Story of Rimini, 222.

Strayed Reveler, 184, 196, 198.
"Study of Meter, A," Omond,
quotation from, 31, 267.

"Style in Literature," Stevenson,
quotation from, 101.
Sub Rosa, 155.

Substitution, 19, 28, 204.
Suppressions, 24, 28.

Triolet-sequences, 146.
Triplet, 104, 111, 126.
Tristram of Lyonesse, 224.
Trochaic meters, pauses in, 21.
Trochaic octameter, 115; tetrameter,
17, 105, 148; trimeter, 17.
Trochaic rhythm, 32.

Trochaic rhythms, 32; termination
of, 50.

Trumbull, John, 205.

Surrey, Henry Howard, Earl of, Truth about Horace, 68.

227.

Swinburne, Algernon C., 32, 35, 40,
55, 66, 68, 74, 76, 82, 83, 84, 112, 114,
120, 123, 149, 152, 153, 161, 164, 166,
167, 169, 191, 195, 210, 224.
Symonds, John Addington, 182, 200,
226, 230, 234, 235, 236, 239.

Tam o' Shanter, 206.

Tears and Laughter, 126.
Tears, Idle Tears, 181.
Tempest, The, 234.
Ten-line stanza, 117.

Tennyson, Alfred, Lord, 23, 24, 25,
40, 43, 53, 54, 57, 83, 84, 85, 88, 90, 91,
93, 95, 97, 106, 109, 111, 115, 117, 119,
124, 139, 181, 183, 190, 191, 242, 258,
259.

Terminal rimes, 33.

"Twelve Good Rules," Dobson,
quoted, 168.

Twenty-four-line stanza, 120.
Twilight on Tweed, 88.
Two Voices, 106.

Ulalume, 82, 100, 119.
Unexpected rimes, 63.

Unrimed dactylic trimeter, 186.
Unrimed hexameter, 188.

Unseen Spirits, 121.

Variation of feet, 19.
Vers de société, 168, 169.

Versification of the Greeks and Ro
mans, 16.

Village Blacksmith, 78, 121.
Villanelle, 157.
Villon, 157, 160.

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"What is Poetry?" Hunt, quotation Written on the First Leaf of an Al-
from, 102.

bum, 126.

What is the German Fatherland? Wyatt, Thomas, 153.
40.

When Lilacs last in the Dooryard Yankee Doodle, 40.

Bloom'd, 197, 199.

Young Lockinvar, 264.

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