The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and CleopatraRoutledge, 5 nov 2013 - 208 pagina's The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon. |
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Pagina
... problem which he finds in the four plays is one of classification. 'Dramas so singular in theme and temper cannot be strictly called comedies or tragedies.' But although he gives the most diverse meanings to the term 'problem play', he ...
... problem which he finds in the four plays is one of classification. 'Dramas so singular in theme and temper cannot be strictly called comedies or tragedies.' But although he gives the most diverse meanings to the term 'problem play', he ...
Pagina ix
... Problem Plays . It seeks to define the term ' problem play ' more narrowly and precisely than has been done in the past and to apply it to a largely different group of plays , which it seems to fit more adequately . Measure for Measure ...
... Problem Plays . It seeks to define the term ' problem play ' more narrowly and precisely than has been done in the past and to apply it to a largely different group of plays , which it seems to fit more adequately . Measure for Measure ...
Pagina 2
... problem that he sees in Troilus and Cressida , on the other hand , is neither moral nor psychological , but rather one of interpreting so complex a play , above all of discovering the relation of the war - plot to the love - story ( p ...
... problem that he sees in Troilus and Cressida , on the other hand , is neither moral nor psychological , but rather one of interpreting so complex a play , above all of discovering the relation of the war - plot to the love - story ( p ...
Pagina 3
... play . ' The essential characteristic of a problem play , I take it , is that a perplexing and distressing complication in human life is presented in a spirit of high seriousness . This special treatment distinguishes such a play from ...
... play . ' The essential characteristic of a problem play , I take it , is that a perplexing and distressing complication in human life is presented in a spirit of high seriousness . This special treatment distinguishes such a play from ...
Pagina 4
... Problem Plays ( 1951 ) . Tillyard followed Boas , not only in restoring Hamlet to the group but also in using the term Problem Play much more broadly and ambiguously than Lawrence had done . But , unlike Boas , Tillyard is very much ...
... Problem Plays ( 1951 ) . Tillyard followed Boas , not only in restoring Hamlet to the group but also in using the term Problem Play much more broadly and ambiguously than Lawrence had done . But , unlike Boas , Tillyard is very much ...
Overige edities - Alles bekijken
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Gedeeltelijke weergave - 2005 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Gedeeltelijke weergave - 2013 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Fragmentweergave - 1963 |
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action affective Angelo Antony and Cleopatra Antony's appears attitude audience bear become bring brother Brutus Brutus's called Cassius cause character choice Christian claims Claudio closely comedies commentators concern contrast critics death discussion divided doubt Duke echoes Elizabethan experience expressed fact fall feel follow give given Hamlet hand Henry honour human important Isabel Julius Caesar Justice kind King later least less lines look means Measure for Measure mind moral murder nature never opposite pattern person play's Plutarch presentation problem play question reference relations remarks response Roman Rome scene seems seen sense Shake Shakespeare shown soliloquy sources speak speech spirit story structural suffering suggested tells term theme things thou thought throughout tragedy tragic Troilus true turn virtue whole Wilson writes