The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and CleopatraRoutledge, 5 nov 2013 - 208 pagina's The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon. |
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Pagina 5
... never in any doubt of our moral bearings . Antony and Cleopatra , on the other hand , embodies different and apparently irreconcilable evaluations of the central experience.'1 It is a vital distinction and takes us a good part of the ...
... never in any doubt of our moral bearings . Antony and Cleopatra , on the other hand , embodies different and apparently irreconcilable evaluations of the central experience.'1 It is a vital distinction and takes us a good part of the ...
Pagina 6
... never in doubt whether Macbeth should murder Duncan or whether Coriolanus should destroy Rome . There may , of course , be problem plays in which the moral issue appears problematic to both audience and protagonist . Julius Caesar is ...
... never in doubt whether Macbeth should murder Duncan or whether Coriolanus should destroy Rome . There may , of course , be problem plays in which the moral issue appears problematic to both audience and protagonist . Julius Caesar is ...
Pagina 12
... never followed any tyrannical or cruel act , but contrarily , it seemed that he was a merciful Physician , whom God had ordained of special grace to be Governor of the Empire of Rome , and to set all things again at 1 All page ...
... never followed any tyrannical or cruel act , but contrarily , it seemed that he was a merciful Physician , whom God had ordained of special grace to be Governor of the Empire of Rome , and to set all things again at 1 All page ...
Pagina 13
... never pardon them that had slain him . " This passage also gives fullest expression to Plutarch's view of Caesar as the Man of Destiny , and of the whole drama of his rise to power , his establishment of absolute rule , and of the ...
... never pardon them that had slain him . " This passage also gives fullest expression to Plutarch's view of Caesar as the Man of Destiny , and of the whole drama of his rise to power , his establishment of absolute rule , and of the ...
Pagina 19
... Never was man , that shewed more moderation in his victorie , or more resolution in his adverse fortune . But all these noble inclinations , rich gifts , worthy qualities , were altered , smothered and eclipsed by this furious passion ...
... Never was man , that shewed more moderation in his victorie , or more resolution in his adverse fortune . But all these noble inclinations , rich gifts , worthy qualities , were altered , smothered and eclipsed by this furious passion ...
Overige edities - Alles bekijken
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Gedeeltelijke weergave - 2005 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Gedeeltelijke weergave - 2013 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Fragmentweergave - 1963 |
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action affective Angelo Antony and Cleopatra Antony's appears attitude audience bear become bring brother Brutus Brutus's called Cassius cause character choice Christian claims Claudio closely comedies commentators concern contrast critics death discussion divided doubt Duke echoes Elizabethan experience expressed fact fall feel follow give given Hamlet hand Henry honour human important Isabel Julius Caesar Justice kind King later least less lines look means Measure for Measure mind moral murder nature never opposite pattern person play's Plutarch presentation problem play question reference relations remarks response Roman Rome scene seems seen sense Shake Shakespeare shown soliloquy sources speak speech spirit story structural suffering suggested tells term theme things thou thought throughout tragedy tragic Troilus true turn virtue whole Wilson writes