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nished father, had banished thy uncle, the duke my father, so thou hadst been still with me, I could have taught my love to take thy father for 'mine; so would'st thou, if the truth of thy love to me were so righteously temper'd as mine is to thee.

Ros. Well, I will forget the condition of my estate, to rejoice in yours.

Cel. You know, my father hath no child but I, nor none is like to have; and, truly, when he dies, thou shalt be his heir: for what he hath taken away from thy father perforce, I will render thee again in affection; by mine honour, I will; and when I break that oath, let me turn monster, therefore, my sweet Rose, my dear Rose, be merry.

Ros. From henceforth I will, coz, and devise sports: let me see; What think you of falling in love?

Cel. Marry, I pr’ythee, do, to make sport withal: but love no man in good earnest; nor no further in sport neither, than with safety of a pure blush thou may'st in honour come off again.

Ros. What shall be our sport then?

Cel. Let us sit and mock the good housewife, Fortune, from her wheel,” that her gifts may henceforth be bestowed equally.

Ros. I would, we could do so; for her benefits are mightily misplaced: and the bountiful blind woman doth most mistake in her gifts to women.

Cel. 'Tis true: for those, that she makes fair, she scarce makes honest; and those, that she makes honest, she makes very ill-favour'dly.

Ros. Nay, now thou goest from fortune's office to nature's: fortune reigns in gifts of the world, not in the lineaments of nature.

mock the good housewife, Fortune, from her wheel,] The wheel of Fortune is not the wheel of a housewife. Shakspeare has confounded Fortune, whose wheel only figures uncertainty and vi. cissitude, with the destiny that spins the thread of life, though not indeed with a wheel, JOHNSON.

Enter TouchSTONE.

Cel. No? When nature hath made a fair creature, may she not by fortune fall into the fire ? Though nature hath given us wit to flout at fortune, hath not fortune sent in this fool to cut off the argument?

Ros. Indeed, there is fortune too hard for nature; when fortune makes nature's natural the cutter off of nature's wit.

Cel. Peradventure, this is not fortune's work neither, but nature's; who perceiving our natural wits too dull to reason of such goddesses, hath sent this natural for our whetstone: for always the dulness of the fool is the whetstone of his wits. How now, wit? whither wander you?

Touch. Mistress, you must come away to your father.

Cel. Were you made the messenger?

Touch. No, by mine honour; but I was bid to come for you.

Ros. Where learned you that oath, fool?

Touch. Of a certain knight, that swore by his honour they were good pancakes, and swore by his honour the mustard was naught: now, I'll stand to it, the pancakes were naught, and the mustard was good; and yet was not the knight forsworn.

Cel. How prove you that, in the great heap of your knowledge

Ros. Ay, marry; now unmuzzle your wisdom.

Touch. Stand you both forth now: stroke your chins, and swear by your beards that I am a knave.

Cel. By our beards, if we had them, thou art. Touch. By my knavery, if I had it, then I were:

but if you swear by that that is not, you are not forsworn: no more was this knight, swearing by his honour, for he never had any; or if he had, he had sworn it away, before ever he saw those pancakes or that mustard.

Cel. Prythee, who is't that thou mean'st ?
Touch. One that old Frederick, your father, loves.

Cel. My father's love is enough to honour him. Enough! speak no more of him; you'll be whip’d for taxation, one of these days.

Touch. The more pity, that fools may not speak wisely, what wise men do foolishly.

Cel. By my troth, thou say'st true: for since the little wit, that fools have, was silenced, the little foolery, that wise men have, makes a great show. Here comes Monsieur Le Beau.

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Ros. With his mouth full of news.

Cel. Which he will put on us, as pigeons feed their young.

Ros. Then shall we be news-cramm'd.

Cel. All the better; we shall be the more marketable. Bon jour, Monsieur Le Beau: What's the news?

Le Beau. Fair princess, you have lost much good sport.

Cel. Sport? Of what colour?

Le Beau. What colour, madam? How shall I answer you?

you'll be whip'd for taxation,] Tarution is censure, or satire.

since the little wit, that fools hare, was silenced,] Shakspeare probably alludes to the use of fools or jesters, who for some ages had been allowed in all courts an unbridled liberty of censure and mockery, and about this time began to be less tolerated. JOHNSON.

Ros. As wit and fortune will.
Touch. Or as the destinies decree.
Cel. Well said; that was laid on with a trowel. :
Touch. Nay, if I keep not my rank,
Ros. Thou losest thy old smell.

Le Beau. You amaze me, ladies: I would have told you of good wrestling, which

you

have lost the

sight of.

Ros. Yet tell us the manner of the wrestling.

Le Beau. I will tell you the beginning, and, if it please your ladyships, you may see the end; for the best is yet to do; and here, where you are, they are coming to perform it.

Cel. Well,—the beginning, that is dead and buried.

Le Beau. There comes an old man, and his three sons,

Cel. I could match this beginning with an old tale.

Le Beau. Three proper young men, of excellent growth and presence;--

Ros. With bills on their necks,—Be it known unto all men by these presents,

Le Beau. The eldest of the three wrestled with Charles, the duke's wrestler; which Charles in a

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laid on with a trowel.] To lay on with a trowel, is, to do any thing strongly, and without delicacy. If a man flatters grossly, it is a common expression to say, that he lays it on with a trowel. M. Mason,

You amaze me,] To amaze, here, is not to astonish or strike with wonder, but to perplex; to contuse, so as to put out of the intended narrative. JOHNson.

? With bills on their necks,~ Be it known unto all men by these presents,] I don't think that by bill is meant either an instrument of

war, or one of law, but merely a label or advertisements as we say a play-bill, a hand-bill; unless these words were part of Le Beau's speech; in which case the word bill would be used by him to denote a weapon, and by Rosalind perverted to mean a label.

M. Mison:

moment threw him, and broke three of his ribs, that there is little hope of life in him: so he served the second, and so the third: Yonder they lie; the poor old man, their father, making such pitiful dole over them, that all the beholders take his part with weeping

Ros. Alas!

Touch. But what is the sport, monsieur, that the ladies have lost?

Le Beau. Why, this that I speak of.

Touch. Thus men may grow wiser every day! it is the first time that ever I heard, breaking of ribs was Sport for ladies.

Cel. Or I, I promise thee.

Ros. But is there any else longs to see this broken musick in his sides ?8 is there yet another dotes upon rib-breaking ?-Shall we see this wrestling, cousin?

Le Beuu. You inost, if you stay here: for here is the place appointed for the wrestling, and they are ready to perform it.

Cel. Yonder, sure, they are coming: Let us now stay and see it.

Flourish. Enter Duke FREDERICK, Lords, OR

LANDO, CHARLES, and Attendants. Duke F. Come on; since the youth will not be entreated, his own peril on his forwardness.

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is there any else longs to see this broken musick in his sides?) This probably alludes to the pipe of Pan, which consisting of reeds of unequal length, and gradually lessening, bore some resemblance to the ribs of a man. M. MASON.

Broken musich either means the noise which the breaking of ribs would occasion, or the hollow sound which proceeds from a person's receiving a violent fall. Douce.

I can offer no legitimate explanation of this passage, but may observe that another, somewhat parallel, occurs in K. Henry I:

Come, your answer in broken musick; for thy voice is musick, and thy English broken." STEEVĒNS.

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