That ends this strange eventful history, Sans teeth, sans eyes, [All retire to table. sans taste, sans-every thing. Enter ORLANDO and ADAM, L. Duke. Welcome. Set down your venerable burden, And let him feed. Orl. I thank you most for him. Adam. So had you need; I scarce can speak to thank you for myself. [AMIENS advances, c. SONG.-Amiens. Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude. Heigh ho! sing, heigh ho! unto the green holly, This life is most jolly! Freeze, freeze, thou bitter sky, That dost not bite so nigh As benefits forgot: Though thou the waters warp As friend remembered not. Heigh ho! sing, heigh ho! unto the green holly, This life is most jolly! Duke. [Comes forward] If that you were the good Sir Rowland's son, As you have whispered faithfully you were, Tableau. Curtain. COSTUMES. DUKE.-Blue and white doublet and pantaloons; buff waistcoat; round green velvet hat and white plumes; russet boots; a vandyke, and gauntlets. AMIENS.-Blue doublet and pantaloons; white waistcoat; round purple hat and white plume; russet boots; vandyke, and gauntlets. JAQUES.-Blue doublet and pantaloons, trimmed with brown fur; black hat and blue plume; russet boots; vandyke, and gauntlets. ORLANDO.-Blue jacket; buff pantaloons; russet boots; vandyke, gauntlets; hat and plume; sword. ADAM.-Attire of old man. LORDS.-Foresters' costume of green, with gold lace. REMARKS AND SUGGESTIONS. These elegant scenes are very easy to perform, and to commit them to memory is to cultivate the taste and improve the heart. Such beautiful language one would not wish to forget. The amateur can not become too familiar with the masterpieces of Shakespeare. They are worth all the rest of English dramatic literature together. Let the words of this drama be thoroughly studied, and frequently rehearsed before being rendered in public. The costumes, properties, and attitudes, must be perfectly correct. The Prologue at the beginning of the piece may be spoken by Amiens, by one of the lords, or by some good declaimer not cast in the play. It should be delivered in a loud, clear, and distinct tone, so as to attract the attention of the audience, and prepare their minds for the play. Short musical interludes, between the scenes, add to the agreeable effect of the play. SCENE I:-The Court of LORD RANDOLPH's Castle. Enter LADY RANDOLPH hastily, accompanied by LORD RANDOLPH and NORVAL, with their swords drawn and bloody. Lady Rand. Not vain the stranger's fears! how fares my lord? Lord Rand. That it fares well, thanks to this gallant youth, Whose valor saved me from a wretched death! Struck to the ground, from whence they rose no more, The fiercest two; the others fled amain, And left him master of the bloody field. I feel. My heart o'erflows with gratitude to Heaven Nor paused at peril; but, humanely brave, Have you yet learned of him, whom we should thank? Whom call the savior of Lord Randolph's life? |