A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pagina's |
Vanuit het boek
Resultaten 1-5 van 83
Pagina 12
... respect and esteem , and about this time he took a part in the German Museum ( Deutsche Museum ) , of his brother Fre- derick , contributing some learned and profound dissertations . on the Lay of the Nibelungen . In 1812 , when the ...
... respect and esteem , and about this time he took a part in the German Museum ( Deutsche Museum ) , of his brother Fre- derick , contributing some learned and profound dissertations . on the Lay of the Nibelungen . In 1812 , when the ...
Pagina 34
... respect between the Greeks and the Romans , for the Greeks were altogether a nation of artists , and the Romans a practical people . Among the latter the fine arts were introduced as a corrupting article of luxury , both betokening and ...
... respect between the Greeks and the Romans , for the Greeks were altogether a nation of artists , and the Romans a practical people . Among the latter the fine arts were introduced as a corrupting article of luxury , both betokening and ...
Pagina 35
... respect be tween the Spaniards and their neighbours the Portuguese , hough related to them both by descent and by language . The Spaniards possess a dramatic literature of inexhaustible wealth ; in fertility their dramatists resemble ...
... respect be tween the Spaniards and their neighbours the Portuguese , hough related to them both by descent and by language . The Spaniards possess a dramatic literature of inexhaustible wealth ; in fertility their dramatists resemble ...
Pagina 37
... respect the poet's occupation coincides with that of the orator . How then does the latter attain his end ? By perspicuity , rapidity , and energy . Whatever exceeds the ordinary measure of patience ar comprehension he must diligently ...
... respect the poet's occupation coincides with that of the orator . How then does the latter attain his end ? By perspicuity , rapidity , and energy . Whatever exceeds the ordinary measure of patience ar comprehension he must diligently ...
Pagina 38
... respect to theatrical fitness , however , it must not be forgotten that much must always depend on the capacities and humours of the audience , and , consequently , on the national character in general , and the particular degree of ...
... respect to theatrical fitness , however , it must not be forgotten that much must always depend on the capacities and humours of the audience , and , consequently , on the national character in general , and the particular degree of ...
Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
Veelvoorkomende woorden en zinsdelen
action actors admiration Ęschylus allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cęsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art dramatic poet effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cęsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Moličre moral nature never noble object observed opera opinion Orestes painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produced Racine racter representation resemblance respect rhyme Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth verse versification Voltaire whole
Populaire passages
Pagina 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Pagina 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Pagina 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.