A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pagina's |
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Pagina 2
... principles on which both Tragedy and Comedy are founded , is treated in this course with much depth of philosophy . This kind of merit is often found among the German writers ; but SCHLEGEL has no equal in the art of inspiring his own ...
... principles on which both Tragedy and Comedy are founded , is treated in this course with much depth of philosophy . This kind of merit is often found among the German writers ; but SCHLEGEL has no equal in the art of inspiring his own ...
Pagina 17
... principles and its models . It belongs to the general philosophical theory of poetry , and the other fine arts , to establish the fundamental laws of the beautiful . Every art , on the other hand , has its own special theory , designed ...
... principles and its models . It belongs to the general philosophical theory of poetry , and the other fine arts , to establish the fundamental laws of the beautiful . Every art , on the other hand , has its own special theory , designed ...
Pagina 25
... principle in the history of modern nations , and even at this day , when many suppose they have shaken off its authority , they ... principles of action , which like the articles of faith , were elevated far beyond the investigation of a ...
... principle in the history of modern nations , and even at this day , when many suppose they have shaken off its authority , they ... principles of action , which like the articles of faith , were elevated far beyond the investigation of a ...
Pagina 36
... principle of whatever they engage in . On that very account they are not sufficiently practical ; for if we wish to act with skill and determination , we must make up our minds that we have somehow or other become masters of our subject ...
... principle of whatever they engage in . On that very account they are not sufficiently practical ; for if we wish to act with skill and determination , we must make up our minds that we have somehow or other become masters of our subject ...
Pagina 41
... principle , and the veneration for what- ever ought to be held sacred by man ; while all this senti- mentality is only to bribe to his purpose the effeminate soft- heartedness of his contemporaries * . On the other hand , if any person ...
... principle , and the veneration for what- ever ought to be held sacred by man ; while all this senti- mentality is only to bribe to his purpose the effeminate soft- heartedness of his contemporaries * . On the other hand , if any person ...
Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
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action actors admiration Æschylus allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art dramatic poet effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Molière moral nature never noble object observed opera opinion Orestes painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produced Racine racter representation resemblance respect rhyme Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth verse versification Voltaire whole
Populaire passages
Pagina 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Pagina 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Pagina 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.