A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pagina's |
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Pagina 30
... poet does not speak in his own person . This is , however , merely the first external foundation of the form ; and that is dialogue . But the characters may express thoughts and sentiments without operating any change on each other ...
... poet does not speak in his own person . This is , however , merely the first external foundation of the form ; and that is dialogue . But the characters may express thoughts and sentiments without operating any change on each other ...
Pagina 31
... poet accordingly consists in separating from the fable whatever does not essentially belong to it , whatever , in the daily necessities of real life , and the petty occupations to which they give rise , interrupts the progress of ...
... poet accordingly consists in separating from the fable whatever does not essentially belong to it , whatever , in the daily necessities of real life , and the petty occupations to which they give rise , interrupts the progress of ...
Pagina 37
... poet's occupation coincides with that of the orator . How then does the latter attain his end ? By perspicuity , rapidity , and energy . Whatever exceeds the ordinary measure of patience ar comprehension he must diligently avoid ...
... poet's occupation coincides with that of the orator . How then does the latter attain his end ? By perspicuity , rapidity , and energy . Whatever exceeds the ordinary measure of patience ar comprehension he must diligently avoid ...
Pagina 38
... POET . Hence the dramatic poet , as well as the orator , must from the very commencement , by strong impressions , transport his hearers out of themselves , and , as it were , take bodily pos- session of their attention . There is a ...
... POET . Hence the dramatic poet , as well as the orator , must from the very commencement , by strong impressions , transport his hearers out of themselves , and , as it were , take bodily pos- session of their attention . There is a ...
Pagina 40
... poet and actor has been thought insufficient , and it has been deemed advisable to submit every piece before its appearance on the stage to a previous censor- ship , it has been generally found to fail in the very point which is of the ...
... poet and actor has been thought insufficient , and it has been deemed advisable to submit every piece before its appearance on the stage to a previous censor- ship , it has been generally found to fail in the very point which is of the ...
Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
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Populaire passages
Pagina 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Pagina 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Pagina 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.