A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pagina's |
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Pagina vi
... observation , of self - consciousness , and arbitrary Comic - Morality of Comedy 174 LECTURE XIV . Plautus and Terence as Imitators of the Greeks , here examined and characterized in the absence of the Originals they copied - Motives of ...
... observation , of self - consciousness , and arbitrary Comic - Morality of Comedy 174 LECTURE XIV . Plautus and Terence as Imitators of the Greeks , here examined and characterized in the absence of the Originals they copied - Motives of ...
Pagina vii
... observed by the Greeks ? - Unity of Place as connected with it LECTURE XVIII . Mischief resulting to the French Stage from too narrow Interpreta- tion of the Rules of Unity - Influence of these rules on French Tragedy - Manner of ...
... observed by the Greeks ? - Unity of Place as connected with it LECTURE XVIII . Mischief resulting to the French Stage from too narrow Interpreta- tion of the Rules of Unity - Influence of these rules on French Tragedy - Manner of ...
Pagina 1
... observe the hostility car- ried on against him in the Parisian Journals . The writers in these Journals found it much easier to condemn M. SCHLEGEL than to refute him : they allowed that what he said was very ingenious , and had a great ...
... observe the hostility car- ried on against him in the Parisian Journals . The writers in these Journals found it much easier to condemn M. SCHLEGEL than to refute him : they allowed that what he said was very ingenious , and had a great ...
Pagina 4
... observations of a secondary nature , the sug- gestion of the moment , were delivered orally as they now appear in print . The only alteration consists in a more com- modious distribution , and here and there in additions , where the ...
... observations of a secondary nature , the sug- gestion of the moment , were delivered orally as they now appear in print . The only alteration consists in a more com- modious distribution , and here and there in additions , where the ...
Pagina 11
... observed the law of adher- ing rigorously to all the measures , rhythms , and assonances of the original . These two excellent translations , in each of which he has brought to bear both the great command of his own , and a wonderful ...
... observed the law of adher- ing rigorously to all the measures , rhythms , and assonances of the original . These two excellent translations , in each of which he has brought to bear both the great command of his own , and a wonderful ...
Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
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action actors admiration Æschylus allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art dramatic poet effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Molière moral nature never noble object observed opera opinion Orestes painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produced Racine racter representation resemblance respect rhyme Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth verse versification Voltaire whole
Populaire passages
Pagina 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Pagina 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Pagina 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.