A Course of Lectures on Dramatic Art and LiteratureBell & Daldy, 1871 - 535 pagina's |
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Pagina 29
... . The history of the development of art and its various forms may be therefore exhibited in the characters of a number , by no means consider- able , of elevated and creative minds . 30 DEFINITION OF THE DRAMA . LECTURE II . Definition.
... . The history of the development of art and its various forms may be therefore exhibited in the characters of a number , by no means consider- able , of elevated and creative minds . 30 DEFINITION OF THE DRAMA . LECTURE II . Definition.
Pagina 46
... exhibited to us in Grecian examples , we shall then be enabled to analyze the various corruptions of both , which the moderns have invented , to discriminate their incongruous additions , and to separate their several ingre- dients . In ...
... exhibited to us in Grecian examples , we shall then be enabled to analyze the various corruptions of both , which the moderns have invented , to discriminate their incongruous additions , and to separate their several ingre- dients . In ...
Pagina 49
... exhibited , it betrays more good - will to do justice to the Greeks , than ability to enter deeply into their spirit . In this respect the work is in many points superficial , and even disfigured with modern views . It is not the ...
... exhibited , it betrays more good - will to do justice to the Greeks , than ability to enter deeply into their spirit . In this respect the work is in many points superficial , and even disfigured with modern views . It is not the ...
Pagina 53
... exhibited only beneath the free heaven , and , as it were , under the very eyes of the gods , for whom , according to Seneca , the sight of a brave man struggling with adversity is a suitable spectacle . With respect to the supposed ...
... exhibited only beneath the free heaven , and , as it were , under the very eyes of the gods , for whom , according to Seneca , the sight of a brave man struggling with adversity is a suitable spectacle . With respect to the supposed ...
Pagina 55
... exhibited to view a new picture . But all the parts of the scene were not always changed at the same time . In the back or central scene , it is probable , that much which with us is only painted was given bodily . If this represented a ...
... exhibited to view a new picture . But all the parts of the scene were not always changed at the same time . In the back or central scene , it is probable , that much which with us is only painted was given bodily . If this represented a ...
Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
Veelvoorkomende woorden en zinsdelen
action actors admiration Æschylus allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art dramatic poet effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling foreign French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Molière moral nature never noble object observed opera opinion Orestes painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produced Racine racter representation resemblance respect rhyme Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth verse versification Voltaire whole
Populaire passages
Pagina 350 - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? 1 Clo. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Pagina 251 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 398 - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
Pagina 372 - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.