English Literature: A Critical SurveyPitman, 1951 - 316 pagina's |
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Pagina 26
... effect on himself , render an impersonal account of what he sees . He cannot wholly cancel himself out because his selection of detail and his method of treatment are personal and can never be identical with those of another who might ...
... effect on himself , render an impersonal account of what he sees . He cannot wholly cancel himself out because his selection of detail and his method of treatment are personal and can never be identical with those of another who might ...
Pagina 63
... effect of the initial sounds is added that of internal sounds ( in shrill , beetle , small , sullen ) echoing the 1 of leathern . A similar effect is produced in the lines from Shakespeare's sonnet- When to the sessions of sweet silent ...
... effect of the initial sounds is added that of internal sounds ( in shrill , beetle , small , sullen ) echoing the 1 of leathern . A similar effect is produced in the lines from Shakespeare's sonnet- When to the sessions of sweet silent ...
Pagina 167
... effect , rather than from a sum of partial effects . There is less to be said for the Unities of Place and Time . Shakespeare has demonstrated once for all that totality of effect is not “ sacrificed ” by the dispersal of the action ...
... effect , rather than from a sum of partial effects . There is less to be said for the Unities of Place and Time . Shakespeare has demonstrated once for all that totality of effect is not “ sacrificed ” by the dispersal of the action ...
Inhoudsopgave
LITERATURE AS AN | 1 |
THE ENGLISH LANGUAGE | 11 |
DESIGN IN POETRY | 20 |
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Veelvoorkomende woorden en zinsdelen
achieved aesthetic ancient artist ballads beauty Ben Jonson blank verse born Byron century characters Chaucer Chaucerian stanza chronicle play classical comedy contemporary conventional couplet criticism diction drama dramatist Dryden E. K. CHAMBERS early Elizabethan emotions England English poetry epic Essay Euphuistic example expression feeling French FURTHER READING genius Greek heroic heroic couplet human humour imagination influence Italian John John Dryden John Lydgate Jonson kind King language Latin lines literary lyrical manner medieval metre metrical Milton mind modern mood moral narrative nature novel novelist Oxford Univ passage pastoral pattern plays poem poet poetic Pope popular principle prose prosody Renaissance rhyme rhythm romantic romanticism satire Shakespeare social sonnet speech Spenser spirit Sprung Rhythm stage stanza story stress style SUGGESTIONS FOR FURTHER syllables T. S. Eliot taste Tennyson theatre theme Thomas thought tion tradition tragedy Victorian words Wordsworth writing written wrote