English Literature: A Critical SurveyPitman, 1951 - 316 pagina's |
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Pagina 71
... conventional figures of medieval romance to the panorama of London life , as he watched it pass beneath the windows of his house at Aldgate , or saw it in the rough and tumble of the London inns . So he conceived the plan of the ...
... conventional figures of medieval romance to the panorama of London life , as he watched it pass beneath the windows of his house at Aldgate , or saw it in the rough and tumble of the London inns . So he conceived the plan of the ...
Pagina 86
... conventional morality of goodness rewarded by happiness , and sin visited by retribution . His tragedies are crowded with characters who notwithstanding their essential goodness are destroyed by a moral defect which is brought into ...
... conventional morality of goodness rewarded by happiness , and sin visited by retribution . His tragedies are crowded with characters who notwithstanding their essential goodness are destroyed by a moral defect which is brought into ...
Pagina 157
... conventionally beautiful , and in groping for a principle of beauty in every detail of our work - a - day surroundings ... conventional surroundings of romantic poetry , a new prosody must be contrived to accommodate vocables and speech ...
... conventionally beautiful , and in groping for a principle of beauty in every detail of our work - a - day surroundings ... conventional surroundings of romantic poetry , a new prosody must be contrived to accommodate vocables and speech ...
Inhoudsopgave
LITERATURE AS AN | 1 |
THE ENGLISH LANGUAGE | 11 |
DESIGN IN POETRY | 20 |
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achieved aesthetic ancient artist ballads beauty Ben Jonson blank verse born Byron century characters Chaucer Chaucerian stanza chronicle play classical comedy contemporary conventional couplet criticism diction drama dramatist Dryden E. K. CHAMBERS early Elizabethan emotions England English poetry epic Essay Euphuistic example expression feeling French FURTHER READING genius Greek heroic heroic couplet human humour imagination influence Italian John John Dryden John Lydgate Jonson kind King language Latin lines literary lyrical manner medieval metre metrical Milton mind modern mood moral narrative nature novel novelist Oxford Univ passage pastoral pattern plays poem poet poetic Pope popular principle prose prosody Renaissance rhyme rhythm romantic romanticism satire Shakespeare social sonnet speech Spenser spirit Sprung Rhythm stage stanza story stress style SUGGESTIONS FOR FURTHER syllables T. S. Eliot taste Tennyson theatre theme Thomas thought tion tradition tragedy Victorian words Wordsworth writing written wrote