English Literature: A Critical SurveyPitman, 1951 - 316 pagina's |
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Pagina 82
... Characters of Sir Thomas Overbury , beginning in 1614 , set a fashion in a new kind of literary composition , in which a portrait of a human " type " was attempted in a few brief strokes . " Characters " were often issued singly in ...
... Characters of Sir Thomas Overbury , beginning in 1614 , set a fashion in a new kind of literary composition , in which a portrait of a human " type " was attempted in a few brief strokes . " Characters " were often issued singly in ...
Pagina 150
... characters , it has no relation to a stage - play . As the preface says : " By dispensing with the theatre altogether , a freedom of treatment was attainable in this form that was denied where the material possibilities of stagery had ...
... characters , it has no relation to a stage - play . As the preface says : " By dispensing with the theatre altogether , a freedom of treatment was attainable in this form that was denied where the material possibilities of stagery had ...
Pagina 170
... characters , saints and personifications , gave scope for new contrivance in both plot and language . The interlude introduced also a changed conception of the purposes of drama , which gradually lost its didactic character and became a ...
... characters , saints and personifications , gave scope for new contrivance in both plot and language . The interlude introduced also a changed conception of the purposes of drama , which gradually lost its didactic character and became a ...
Inhoudsopgave
LITERATURE AS AN | 1 |
THE ENGLISH LANGUAGE | 11 |
DESIGN IN POETRY | 20 |
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Veelvoorkomende woorden en zinsdelen
achieved aesthetic ancient artist ballads beauty Ben Jonson blank verse born Byron century characters Chaucer Chaucerian stanza chronicle play classical comedy contemporary conventional couplet criticism diction drama dramatist Dryden E. K. CHAMBERS early Elizabethan emotions England English poetry epic Essay Euphuistic example expression feeling French FURTHER READING genius Greek heroic heroic couplet human humour imagination influence Italian John John Dryden John Lydgate Jonson kind King language Latin lines literary lyrical manner medieval metre metrical Milton mind modern mood moral narrative nature novel novelist Oxford Univ passage pastoral pattern plays poem poet poetic Pope popular principle prose prosody Renaissance rhyme rhythm romantic romanticism satire Shakespeare social sonnet speech Spenser spirit Sprung Rhythm stage stanza story stress style SUGGESTIONS FOR FURTHER syllables T. S. Eliot taste Tennyson theatre theme Thomas thought tion tradition tragedy Victorian words Wordsworth writing written wrote