English Literature: A Critical SurveyPitman, 1951 - 316 pagina's |
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Pagina 144
... action , and on the emotions which accompanied action . He found that the dramatic monologue was exactly suited to his genius . Taking a subject from history ( preferably of the Italian Renaissance ) or inventing a story , he selected a ...
... action , and on the emotions which accompanied action . He found that the dramatic monologue was exactly suited to his genius . Taking a subject from history ( preferably of the Italian Renaissance ) or inventing a story , he selected a ...
Pagina 159
... action . The consummation of Drama is achieved on a stage , before an audience . As an art - form it is a composite product , requiring contributions from the visual arts such as architecture and painting , as well as sometimes from ...
... action . The consummation of Drama is achieved on a stage , before an audience . As an art - form it is a composite product , requiring contributions from the visual arts such as architecture and painting , as well as sometimes from ...
Pagina 167
... action is confined to a single place , the events happen within the space of a single day , and the continuity of the action is preserved by the exclusion of themes or plots which do not contribute directly to its progress . These are ...
... action is confined to a single place , the events happen within the space of a single day , and the continuity of the action is preserved by the exclusion of themes or plots which do not contribute directly to its progress . These are ...
Inhoudsopgave
LITERATURE AS AN | 1 |
THE ENGLISH LANGUAGE | 11 |
DESIGN IN POETRY | 20 |
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achieved aesthetic ancient artist ballads beauty Ben Jonson blank verse born Byron century characters Chaucer Chaucerian stanza chronicle play classical comedy contemporary conventional couplet criticism diction drama dramatist Dryden E. K. CHAMBERS early Elizabethan emotions England English poetry epic Essay Euphuistic example expression feeling French FURTHER READING genius Greek heroic heroic couplet human humour imagination influence Italian John John Dryden John Lydgate Jonson kind King language Latin lines literary lyrical manner medieval metre metrical Milton mind modern mood moral narrative nature novel novelist Oxford Univ passage pastoral pattern plays poem poet poetic Pope popular principle prose prosody Renaissance rhyme rhythm romantic romanticism satire Shakespeare social sonnet speech Spenser spirit Sprung Rhythm stage stanza story stress style SUGGESTIONS FOR FURTHER syllables T. S. Eliot taste Tennyson theatre theme Thomas thought tion tradition tragedy Victorian words Wordsworth writing written wrote