The Critical Response to John Milton's Paradise LostTimothy Miller Bloomsbury Academic, 22 apr 1997 - 337 pagina's Paradise Lost was recognized as a major epic poem soon after its publication in 1667. For more than three centuries, critics have been describing, interpreting, and evaluating it. Regardless of their approaches to changing literary values, they have generally accepted it as the prime example of the epic in English. As many critics have observed, the poem brought biblical, literary, cultural, social, scientific, and political elements into such aesthetic harmony that even its detractors have been forced to recognize its greatness. And because of its complexity, it has become a test case in literary studies as a focal point for changing critical assumptions and literary values. This reference book traces the critical reception of Paradise Lost from the 17th century to the present. The volume is organized in chapters devoted to particular centuries, with each chapter presenting a selection of reviews and critical essays from that period. Thus the reader is able to chart the changing response to ^IParadise Lost^R over time. An introductory essay summarizes the reception of Milton's work, and a bibliography lists important sources of additional information. |
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... Song : She is called the Amorous Bird of Night , from her solitary mournful Song , seeming to bemoan her Misfortune that befell her by the wicked Amours of the Lascivious Tereus , related at large by Ovid , Met.6 . Et virginem & unam vi ...
... ( Song of Songs 4:12 ) , is conveniently summarized by John Cotton as meaning that in the midst of a world which is " as a wildernesse , or at least a wilde field ... the Church is Gods garden or orchard ... as the garden of Paradise was ...
... Song of Songs . Paradise is an " enclosure green " that " crowns ... a steep wilderness , whose hairy sides With thicket overgrown , grotesque and wild , / Access denied " ( 133-37 ) . Milton thus begins his presentation by accentuating ...
Inhoudsopgave
Milton and the Telescope | 14 |
Dominant Residual | 18 |
An Essay Upon the Civil Wars of France And also Upon | 23 |
Copyright | |
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