Music in the RenaissancePrentice Hall, 1999 - 396 pagina's A history of Renaissance music focused on the music itself and the social and institutional contexts that shaped musical genres and performance. This book provides a complete overview of music in the 15th and 16th Centuries. It explains the most significant features of the music and the distinguishing characteristics of Renaissance composers (in Europe and the New World). It includes a large integrated anthology of 94 musical examples, as well as illustrations of musical instruments, notation, and ensembles. |
Inhoudsopgave
MUSIC IN THE RENAISSANCE | 1 |
DUNSTABLE AND THE CONTENANCE | 7 |
Leonel Power and the Old Hall Manuscript 11 John Dunstable | 16 |
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Adrian Willaert anthologies antiphon bass Binchois Burgundian Busnoys Byrd cadence canon cantus firmus cantus-firmus Masses cathedral chansonniers chansons chant chapel chordal chords church composer's composers compositions contemporaries contrapuntal contratenor counterpoint court courtly dance Dufay Dufay's edition English example fauxbourdon Ferrara fifteenth five voices French frottole genre Gilles Binchois Giovanni Gombert Guillaume Dufay harmonic homophony important Italian Italy Johannes Johannes Ockeghem Josquin keyboard Kyrie L'homme armé Lasso Leonel Power Li-rum liturgical lute madrigals manuscript Maria Mass melismas melodic lines melody Missa motives movements musical style musicians Obrecht Ockeghem Opera Omnia Orlando di Lasso Palestrina paraphrase parody performance Petrucci phrases pieces plainchant poems poetry points of imitation polyphony posers psalm published Renaissance music repertory rhythmic rhythms Rome sacred music sections secular music singers sixteenth century songs Spanish structure sung superius technique tenor texture tion top voice tradition volumes Willaert words written wrote