A Literary History of England |
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Pagina 74
The sentimental Duke Orsino , who feeds on an imaginary passion for Olivia , has awakened a real passion in the heart of Viola . She is disguised as a boy and is employed as Orsino's messenger . “ Make no compare , ” says the Duke ...
The sentimental Duke Orsino , who feeds on an imaginary passion for Olivia , has awakened a real passion in the heart of Viola . She is disguised as a boy and is employed as Orsino's messenger . “ Make no compare , ” says the Duke ...
Pagina 98
To represent the full force of passion in art , a man must submit to no guide but his own inspiration . Here is the versification of a master , who , having learnt all that rules could teach him , knew that their best use is to be ...
To represent the full force of passion in art , a man must submit to no guide but his own inspiration . Here is the versification of a master , who , having learnt all that rules could teach him , knew that their best use is to be ...
Pagina 151
All of these are “ heroic ” plays : Dryden has sought to raise the language and passions to an epic pitch . ... they make little impression on the reader , but he remembers scenes of violent conflict and frenzied passion .
All of these are “ heroic ” plays : Dryden has sought to raise the language and passions to an epic pitch . ... they make little impression on the reader , but he remembers scenes of violent conflict and frenzied passion .
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Inhoudsopgave
CHAPTER I | 1 |
CHAUCER AND HIS | 13 |
THE RENAISSANCE AND THE REFORMATION | 32 |
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