Innovation in Music IILulu.com, 2016 - 209 pagina's The music industry is a rapidly evolving field, with new creative approaches and technological advances combining to catalyse and inspire innovations. Innovation in Music 2015 (InMusic'15) was an international conference organised by KES International and hosted by Anglia Ruskin University over the 7th to 9th June 2015 in Cambridge, UK. Innovation in Music broadly represents all aspects of innovation in the field of music, particularly encompassing music performance, audio technology, music production and the commercial music industries. The conference acted as a forum for industry experts and professionals to mix with researchers and academics to report on the latest advances and exchange ideas. Award-winning industry experts including David Wrench, Tim Exile, Peter Jenner, Mandy Parnell, Gary Bromham, Bryan Martin and Simon Gogerly contributed to the conference keynote presentations. This volume includes articles developed from presentations delivered |
Inhoudsopgave
Interview with Mix Engineer David Wrench | 1 |
Expansion of the Kick Drum | 14 |
Exploring the sound quality dimensions of hypercompression | 36 |
Paradigms of Music Software Interface Design and Musical Creativity | 52 |
Esthir LemI McRae Colin Esslinger Reed | 65 |
Formless Form as Forma Efformans | 88 |
New Acoustic Technology for Indoor Live Music Events | 103 |
Interactive Algorithmic Composition | 116 |
CrowdSourced Learning of Music Production Practices Through | 144 |
Exploring the Debates Surrounding | 157 |
Contents | 174 |
Enhancing Listener Engagement with Commercial Music | 193 |
Veelvoorkomende woorden en zinsdelen
Ableton Live Accessed acoustics algorithm Algorithmic Composition allows Amsterdam Arena analysis artist Audio Engineering Society bass Carola Boehm Chang Seok Choi clarinet compression Computer concept create creative dynamic dynamic range compression electroacoustic materials electroacoustic music ensemble Eolgae evaluation example Fata Morgana Figure foot tap Formless Form freemium frequency Future Technology Press Gestalt theory helix hyper-compression industry Innovation in Music instrument interactive music interface kick drum knowledge production listening loom Loompianola loudness loudspeakers melodic mix engineers mixed-media Mode music cognition music production Music Streaming Mathew musicians notes On-Demand Music Streaming partnerships perceived perception performance piano pitch play playback Popular Music Pro Tools Radiohead reverberation Rhythm rhythmic sequence Sigimsae song sound quality dimensions space spatial Spotify stereo Streaming Mathew Flynn streaming platforms structure studio Talea Taylor Swift technique tempo track University visual vocal