The Hieroglyphic King: Wisdom and Idolatry in the Seventeenth-century MasqueFairleigh Dickinson University Press, 1986 - 311 pagina's |
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Pagina 30
... monarchy and in the 1630s became the most complete artistic expression of the Stuart court . This development was preceded by a long period of growth and change in royal entertainment prior to the age of Jonson , but we know the masque ...
... monarchy and in the 1630s became the most complete artistic expression of the Stuart court . This development was preceded by a long period of growth and change in royal entertainment prior to the age of Jonson , but we know the masque ...
Pagina 67
... monarchy " ( 407-8 ) . This " mighty monarchy " of hers is both the kingdom of the twelve goddesses and England , since Pallas was played by Queen Anne , " the person her Majesty chose to represent " ( 64 ) , as Daniel explains in the ...
... monarchy " ( 407-8 ) . This " mighty monarchy " of hers is both the kingdom of the twelve goddesses and England , since Pallas was played by Queen Anne , " the person her Majesty chose to represent " ( 64 ) , as Daniel explains in the ...
Pagina 138
... Monarchy In both of Townshend's masques , the celebration of the monarch dominates the meaning of every event that occurs in the performance . At the beginning of Albion's Triumph , for example , Mercury descends to the queen and an ...
... Monarchy In both of Townshend's masques , the celebration of the monarch dominates the meaning of every event that occurs in the performance . At the beginning of Albion's Triumph , for example , Mercury descends to the queen and an ...
Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque 3335 | 27 |
Copyright | |
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The Hieroglyphic King: Wisdom and Idolatry in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
Albanactus Albion's Triumph allegory antimasque appears audience Aurelian Townshend beauty beginning bower Bruno Campion Carew Caroline masque Chapman Chloridia Circe Coelum Britannicum Comus contrast court dance Daniel describes divine right doctrine Dunlap echoes Elizabeth emblem England eternal example figure genre glory goddesses grace harmony hath heaven and earth heavenly Henrietta Maria Hercules Hymenaei idea ideal Inigo Jones Jacobean Jacobean masque Jones's Jonson Jonson's Masque Jonsonian Masque Jove king and queen King Charles King James king's Lady Lord Hay's Masque Love's Masque of Beauty Masque of Blackness masquers Milton Momus monarchy moral Musophilus nature Night Orgel and Strong peace Platonic Platonic love Platonicus Pleasure Reconciled poem poet poetry political praise Prince Publius Reconciled to Virtue reflects Renaissance represents revelation Salmacida Spolia says scene sense song soul spectacle spirit stars symbol Tempe Restored Temple theme tion Townshend traditional verse vice Vision wisdom Zephyrus