Dialectic and Narrative: Time to Teach the TruthThomas R. Flynn, Dalia Judovitz, National Endowment for the Humanities Professor of French Dalia Judovitz SUNY Press, 1 jan 1993 - 382 pagina's Dialectic and narrative reflect the respective inclinations of philosophy and literature as disciplines that fix one another in a Sartrean gaze, admixing envy with suspicion. Ever since Plato and Aristotle distinguished scientific knowledge (episteme) from opinion (doxa) and valued demonstration through formal final causes over emplotment (mythos), the palm has been awarded to dialectic as the proper instrument of rational discourse, the arbiter of coherence, consistency, and ultimately of truth. The matter becomes more complicated when we recognize the various uses of the term "dialectic" in the tradition, some of which complement and even overlap the narrative domain. By confronting these concepts with one another, either de facto or ex professo, the following essays not only raise anew the ancient questions of the identities of philosophy and literature, but do so in the context of recent "postmodern" challenges to their relative autonomy. |
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Pagina vi
... Representation 139 Stephen David Ross 10. Narrative , Dialectic , and Irony in Jameson and White Candace D. Lang 151 IV . Legitimacy and Truth 161 11. Reflections on the Anthropocentric Limits of Scientific Realism : Blumenberg on Myth ...
... Representation 139 Stephen David Ross 10. Narrative , Dialectic , and Irony in Jameson and White Candace D. Lang 151 IV . Legitimacy and Truth 161 11. Reflections on the Anthropocentric Limits of Scientific Realism : Blumenberg on Myth ...
Pagina xiii
... representation / nonrepresentation . This last gives the discussion a totally new focus , while viewing the issue of philosophy and literature from yet another perspective . It circumvents the traditional issue of sense and reference ...
... representation / nonrepresentation . This last gives the discussion a totally new focus , while viewing the issue of philosophy and literature from yet another perspective . It circumvents the traditional issue of sense and reference ...
Pagina xvii
... representation is menaced today by the proliferation of information in both print and visual media . Information embodies new forms of com- munication whose mass accessibility and consumption is made pos- sible by means of mechanical ...
... representation is menaced today by the proliferation of information in both print and visual media . Information embodies new forms of com- munication whose mass accessibility and consumption is made pos- sible by means of mechanical ...
Pagina xviii
... representation of events . Thus the poverty of communicable experience in the modern age re- flects not the dearth of information but rather its unremitting imme- diacy and uncontainable excess . If the novel no longer provides an ...
... representation of events . Thus the poverty of communicable experience in the modern age re- flects not the dearth of information but rather its unremitting imme- diacy and uncontainable excess . If the novel no longer provides an ...
Pagina xix
... representation imply that narrative structure is threatened as well ? A quick glance at Aristotle's Poetics reveals that myth returns , albeit under a different guise . For mythos now desig- nates the essence of dramatic genre as the ...
... representation imply that narrative structure is threatened as well ? A quick glance at Aristotle's Poetics reveals that myth returns , albeit under a different guise . For mythos now desig- nates the essence of dramatic genre as the ...
Inhoudsopgave
The Philosophy of Genre and the Genre of Philosophy | 5 |
Helen and the Rape of Narrative The Politics of Dissuasion | 21 |
The Poetic and the Political Martin Heidegger | 43 |
Two Faces of Heidegger | 47 |
Repositioning Heidegger | 57 |
Stevens Heidegger and the Dialectics of Abstraction and Empathy in Poetic Language | 67 |
Acoustics Heidegger and Nietzsche on Words and Music | 83 |
Contesting Modernities | 101 |
Blumenbergs Third Way Between Habermas and Gadamer | 185 |
History Art and Truth Wellmers Critique of Adorno | 197 |
Narrative Fictions Theaters of Danger | 213 |
Tragic Fiction of Identity and the Narrative Self | 217 |
Ethical Ellipsis in Narrative | 225 |
Dialectics of Experience Brecht and the Theater of Danger | 233 |
Beyond Dialectics At the Limits of Normalization | 253 |
At the Limits of Formalization | 257 |
Modernity and Postmodernity | 105 |
Secularization and the Disenchantment of the World | 121 |
Modernity and the Misrepresentation of Representation | 139 |
Narrative Dialectic and Irony in Jameson and White | 151 |
Legitimacy and Truth | 161 |
Reflections on the Anthropocentric Limits of Scientific Realism Blumenberg on Myth Reason and the Legitimacy of the Modern Age | 165 |
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Adorno's aesthetic Aristotle artistic truth Blumenberg Brecht Cambridge concept constituted context critical critique cultural Dallmayr defined Derrida Descartes dialectical discourse discussion Enlightenment epic theater essay ethical existential experience fact fiction formal Foucault Freud Friedrich Nietzsche Gadamer Gas Chamber genre Gorgias Gorgias's Habermas Hans Blumenberg Heidegger Heidegger's Helen Hermeneutics human ideals identity imaginary interpretation Jacques Derrida Jacques Lacan Jean-François Lyotard Jürgen Habermas Lacan language legitimacy legitimate logic logos Ludwig Wittgenstein Lyotard Martin Heidegger means metaphorical metaphysics mode modern age myth narration narrative nature negation Nietzsche norms notion object paradox poem poetic poetry political position possible postmodern precisely problem psychoanalysis question rational reality reason relation representation rhetoric secularization sense simply social speak speech structure sublation symbolic order temporality theater theory thing thinking thought tion tive tradition trans transcendental University Press Wellmer words writes York
Verwijzingen naar dit boek
Metaphysics to Metafictions: Hegel, Nietzsche, and the End of Philosophy Paul S. Miklowitz Gedeeltelijke weergave - 1998 |